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By Jeremy M. Barker Views (273) | Comments (0) | ( 0 votes)

Faith Helma in Hand2Mouth Theatre's "Undine," photo by Tim Summers.

"What I've always loved about his telling of it was that it was very ambiguous," said Faith Helma of Friedrich de la Motte Fouqué's 1811 fairy tale novella Undine. "Like, 'The Little Mermaid,' you read the original version of it, it's a pretty dark story. But this one was even more so. All of the characters are very ambiguous, and none of the characters are all bad or all good. Even the most creepy, scary character, you can kind of see his point of view. He's not a villain. And then there's the spirit world, which is frightening but also beautiful. And she's presented as this character you can identify with, but who's not to be trusted. There's something a little unsettling about it. That was my experience of reading the story—you can't really decide if you're on her side."

This was last Saturday, and I was sitting in Fresh Pot Cafe in Portland, Oregon's Mississippi district, with Helma and her husband Jonathan Walters. The two are long-time members of Portland's well respected experimental theatre company Hand2Mouth, which Walters founded in 2000. This Friday and Saturday, Jan. 29 and 30, they're bringing Helma's first solo work, Undine, back to Seattle, where it debuted in 2008 as part of the Northwest New Works Festival at On the Boards. The performances are at Theatre off Jackson, in a co-presentation with Seattle's Satori Group (tickets $10-$12), with a panel discussion about creating new work in the Northwest after each performance, moderated by The Stranger's Brendan Kiley.

While nominally inspired by Fouqué's novella, elements of which Helma admits trying to incorporate into Hand2Mouth's previous shows to little or no success, the piece is not so much an adaptation of the narrative. "I'm obsessed with the fairy tale, so I wind up talking about that, but I feel like it leaves this image in people's minds of, 'Okay, solo performance, fairy tale...'" She trailed off, eyes rolling and chuckling at the image that description must put in people's minds.... (more)