Previews SIFF

SIFF ‘n Stitch at the Uptown this Sunday

People who know me IRL (mostly) know that I’m a cross stitcher. I spend dozens of hours a week on my couch, usually 2-3 hours nightly and more on weekends stitching. Outside of work and sleeping, it takes up the next biggest block of my time. I’ve even made some stitching projects that combine my hobby with movies. This is all to say that I am delighted that SIFF is offering one of their theaters for crafty movie fans this Sunday at noon, promising a place to congregate while the beloved (though not by me) movie Labyrinth plays on screen.

Reviews

Black Bag is a wickedly fun spy thriller that respects your time by not wasting any of it

Black Bag is a sleek, sophisticated, and sexy thriller with some exceptional filmmaking from Soderbergh. At 93 minutes, not a moment is wasted. Once the plot is established, momentum propels the film like a brisk clip. This is not an action film, though. Soderbergh and Koepp are interested in the letting the story unfold while allowing us into the minds of the exceptionally cerebral players. Why does each character do what they do? Are they being manipulated? Or are they doing the manipulating? Is remaining loyal to your country and your partner mutually exclusive?

Reviews

Paddington in Peru completes the most loveable trilogy in film

I don’t remember much from my single-digit years, but I do remember having a fondness for Paddington Bear somewhere around first or second grade. I found him easily loveable and lacking any sense of maliciousness. When “they” started putting out live action Paddington movies a decade ago, I realized I still do.

Interviews News

Seattle filmmaker Vee Hua is hoping to turn their short film Reckless Spirits into a feature, and needs your help

Tuesday night, me and a bunch of cooler, hipper people, packed into the Northwest Film Forum for the launch party of a fundraising campaign for Reckless Spirits, a very funny short film from 2022 that the filmmakers hope to turn into a feature film in the future. Directed by former NWFF executive director Vee Hua 華婷婷, the film is billed as “A gender-fluid Latine performance artist and a neurotic Asian American therapist are led by a series of uncanny circumstances into a world of chakras, spirits, and a fanatic cult leader.”