Festivals SIFF

Are We Not Film? SIFF DocFest returns this week

Tomorrow begins one of my favorite mini-festivals in Seattle: SIFF’s annual DocFest. It’s a week-long festival celebrating some of the best new-ish documentaries out there (and in true Seattle fashion, this week goes from Thursday to Thursday, so it is actually eight days long).

Festivals Reviews SIFF

Sweetheart Deal is a moving story of heartbreak and tragedy on Aurora Avenue

Sweetheart Deal is 98 minutes of tragedy and heartbreak but it also felt so vital and important to tell the stories of these women who suffer from so much abuse and marginalization. “Sex work is work” and “my body, my choice” are good, rhetorical, platitudes (that I believe) but they are also too vague to meaningfully represent anyone whose choice and autonomy are often taken out of the equation, often by situations far beyond their control. 

Reviews

Beetlejuice Beetlejuice: Michael Keaton is the hardest-working spirit in the afterlife

I loved the expansive world-building Burton and his team put together. There were some cool visual effects and some running gags that were quite funny. I laughed hard whenever the late Charles Deetz was on screen. I also really liked the storyline between Winona Ryder and Jenna Ortega. Still, Beetlejuice Beetlejuice throws a lot of proverbial spaghetti at the proverbial wall and quite a bit of it sticks because a lot of it was thrown.

Reviews

Copa 71, or how to memory hole an entire World Cup for 50 years

There’s something remarkable about the opening scene of Copa 71. Brandi Chastain, hero of the winning American team of the 1991 Women’s World Cup, is given a tablet and shown footage of the 1971 Copa tournament, a massive women’s soccer competition in Mexico City two decades earlier than the first official FIFA Women’s World Cup. She had no idea it even existed. I suspect many other diehard women’s sports fans didn’t either (I certainly didn’t).

Reviews

Argylle is a long, cliché-filled, hot mess

Part of the routine when attending preview screenings as a press member requires us to give a brief opinion after the movie to one of the PR representatives. The answer I gave after Argylle was “dumb but harmless.” A couple of days later, I still can’t think of anything better.

Reviews

American Fiction is the satire American liberals need right now

Cord Jefferson’s wildly entertaining, and biting, satire American Fiction will probably make any white person who has ever taken a selfie with a Toni Morrison or bell hooks book at least a little squeamish. This movie deals with race, identity, agency, who has control over their own stories. It’s an absorbing movie that never feels heavy handed and has one of the most memorable lead characters I’ve seen in quite a while.