Boots Riley at SIFF 2026 Opening night - photo by Morgen Schuler
Festivals Reviews SIFF

SIFF 2026 Notebook: I Love Boosters

Boots Riley’s I Love Boosters, the opening night film at this year’s Seattle International Film Festival, confirms him as one of the few American filmmakers capable of turning political rage into genuinely original spectacle. Riley has not spent the eight years since Sorry to Bother You (SIFF 2018) moderating either his politics or his imagination.

Reviews

Mārama: A Mesmerizing SIFF 2026 Award winner gets a proper run

Whether they’re trying or not, most horror movies reflect the times in which they’re made. 

Not surprisingly, the increased prominence of a certain toxic orange monster—and the Pandora’s Box of ignorance, cruelty, and racism said monster threw wide open about a decade ago—has inspired a lot of genre cinema that gives voice to the frustrations and fears of the disenfranchised.

Reviews

The Mandalorian and Grogu, or “This Is not The Way”.

A long time ago, on a streaming service too not far away from your couch, Disney+ brought live-action episodic Star Wars content onto your television. The Mandalorian was initially a simple Space Western about a bounty hunter named Din Djarin roaming the galaxy taking prisoners for cash in the topsy-turvy aftermath of reconstruction that occurred after the Rebels blew up the Death Star (the second one), killed the Evil Emperor (the first time), and everyone waking up with a Yub Nub dance hangover to piece together a New Republic. Now, after several seasons of increasingly complicated lore involving cults, factions, conspiracies, and space swords, the pair have made the leap from streaming to the big screen, but unfortunately it’s hard to call the result a movie.