Faces of Death (2026 | USA | 98min | Daniel Goldhaber) For an entire generation, 1978’s Faces of Death became the most …
Category: Theaters
Undertone brims with promise, but it’s undercooked
Horror movies often tap into the intersection of mortality and grief with a disarming fidelity seldom present in more literal-minded, non-scary mainstream movies. It’s one of many reasons I love the genre. Alongside the rollercoaster endorphin rush and dark escapism that draw me inexorably to them, the best horror films also serve as catharsis of the most profound variety.
28 Years Later: The Bone Temple ups the chills and the gore
28 Years Later: The Bone Temple ( 2026 | United Kingdom | 109 minutes | Nia DaCosta) 28 Years Later: The Bone Temple …
Is it Worth it to Pay Attention to Him?
Him (2025 | USA | 96 minutes | Justin Tipping) Not to mix sports metaphors, but if nothing else Him, the feature …
28 Years Later ups the scale and the heart–and it’s scary, too
Spoiler alert (not): 28 Years Later, the second sequel to director Danny Boyle’s influential 2002 shocker 28 Days Later, could hardly be better. And unlike 28 Weeks Later, the rather meh second film of the franchise, this new entry serves up something deeply emotional, stunningly ambitious, seriously creepy, decidedly distinctive from its predecessor(s), and exhilaratingly suspenseful.
A Legendary Italian Composer Lends Live Backup to a Horror Classic
Italian horror cinema from the ‘70s and ‘80s has amassed a fervent cult over the last four decades, and one of the …
Maxxxine Serves up Girl Power Marinated in Gore and Grime
Maxxxine (2024 | USA | 104 minutes | Ti West) Maxxxine may be set in a Reagan-era Los Angeles that’s been buffed …
Scream 6 brings back the satire and the scares
Scream 6 (2023 | USA | 123 minutes | Matt Bettinelli-Olpin and Tyler Gillett ) The original 1996 meta-horror classic Scream earned …
Halloween Ends on a strange (and strangely hilarious) note
Since seeing Halloween Ends, purportedly the final chapter in director David Gordon Green’s reboot of the iconic slasher franchise, I’ve oscillated between dismissing it as entertainingly lousy, and viewing it as a work of operatically-pitched satiric genius. Truth be told, it kinda feels like both at once, and therein lies much of its cockeyed charm. Whether you succumb to that charm, however, is another story.
Expect a Pearl among Horror Prequels from the Follow-up to X
Pearl, the prequel to writer/director Ti West’s well-received shocker X, takes a character’s origin story—the kind usually dispensed as an afterthought in a couple of sentences of exposition or two minutes of black-and-white flashback footage—and turns it into an audacious, grandly operatic standalone experience.