A Seattle moviegoing lifestyle magazine
Michael Sarnowski’s grimy new historical-adjacent thriller dares to ask audiences to consider a deeply uncomfortable question. What if Robin Hood was not, in true fact, a sexy swashbuckling animated fox? Let alone one who stole from the rich to give to the poor? Or to unite with his band of affable outlaws who communed in the forest of Sherwood to thwart the avaricious overreaches of a swishy spoiled despot king?
The metaphors run hot and heavy in this down under horror story about the trauma of gay awakenings. Still, small abandoned conservative towns, spooky religion, and the overwhelming potency of teenage lust remain creepily effective tools when deployed this stylishly.
Amid festivals clogged with so many films with “prestige” ambitions, it’s a thrillingly welcome jolt when a really fun movie executes on a clever concept and is impeccably entertaining from top to bottom. And that was exactly the case when the good word of Tuner started rippling through queues at Telluride before putting on the full charm offensive in Toronto a week later. Making the transition from pulse-pounding documentary filmmaking to small-stakes crime romance, Daniel Roher does exactly that with a film that just moves from the jump and never lets up until the closing credits.
A collection of loosely intertwined stories of isolation and connection, this one ostensibly follows a trio of academics whose foibles play out, separated by decades, in the general vicinity of a magnificent gingko tree on a German college campus.
A long time ago, on a streaming service too not far away from your couch, Disney+ brought live-action episodic Star Wars content onto your television. The Mandalorian was initially a simple Space Western about a bounty hunter named Din Djarin roaming the galaxy taking prisoners for cash in the topsy-turvy aftermath of reconstruction that occurred after the Rebels blew up the Death Star (the second one), killed the Evil Emperor (the first time), and everyone waking up with a Yub Nub dance hangover to piece together a New Republic. Now, after several seasons of increasingly complicated lore involving cults, factions, conspiracies, and space swords, the pair have made the leap from streaming to the big screen, but unfortunately it’s hard to call the result a movie.
The 52nd Seattle International Film Festival ended on Sunday with the Golden Space Needle Awards and a full day of theatrical screenings. Before this year’s SIFF Effect fades into the ether draws to a close, the SunBreak team gathered our thoughts on this year’s festival.
The 52nd Seattle International Film Festival kicks off this week! Running in person from May 7-17 the festival features 203 films playing in-person: with most in SIFF’s Lower Queen Anne Headquarters and at the SIFF Downtown.
The 52nd Seattle International Film Festival kicks off this week! Running in person from May 7-17 the festival features 203 films playing in-person: with most in SIFF’s Lower Queen Anne Headquarters and at the SIFF Downtown.
The 52nd Seattle International Film Festival kicks off this week! Running in person from May 7-17 the festival features 203 films playing in-person: with most in SIFF’s Lower Queen Anne Headquarters and at the SIFF Downtown.
The 52nd Seattle International Film Festival kicks off this week! Running in person from May 7-17 the festival features 203 films playing in-person: with most in SIFF’s Lower Queen Anne Headquarters and at the SIFF Downtown.
