Rather than taking the audience out of the action with recreations, she instead employs the use of meticulously handcrafted dioramas that pull both viewers and her subjects into the story in a manner rarely seen in documentary.
Author: Josh
Sundance 2024 Notebook: Will & Harper
Comedy superstar Will Farrell joins his recently-transitioned friend for an illuminating cross-country road trip of strikingly honest conversations and open-hearted discovery.
Sundance 2024 Notebook: Sebastian
An important Sundance tradition is seeing surprisingly explicit gay sex scenes in public library. Last year it was Passages; this time it’s Sebastian, about an up-and-coming writer discovering himself through the world’s oldest profession: auto-fiction.
Sundance 2024 Notebook: Presence
In a series of single cooped-up takes Steven Soderbergh gives us a ghost’s eye view of a family slowly coming undone.
Sundance 2024 Notebook: Love Lies Bleeding
Between this and last year’s Magazine Dreams, someone in the Sundance programming department sure has a thing for bodybuilder body horror.
Sundance 2024 Notebook: Sasquatch Sunset
After sitting through two hours of the Zellner brother’s long-awaited, dialogue-free, scatalogical feature, I have come to the conclusion that the quotidian existence of America’s favorite hairy cryptozooid is perhaps a topic best left enshrouded in eternal mystery.
Sundance 2024 Notebook: The American Society of Magical Negroes
Conjuring something between Hogwarts and Kingsman, Kobi Libii imagines an “American Society of Magical Negroes” as a real world organization behind the “supportive black friend” trope.
Sundance 2024 Notebook: Stress Positions
Remember 2020? Theda Hammel’s period piece finds John Early as Terry Goon (lol), a harried, incompetent, Covid-conscious caretaker for his exoticized model nephew who’s recovering in isolation from a broken leg.
Sundance 2024 Notebook: I Saw The TV Glow
Into each generation a new Donnie Darko is born. With Lynchian threads as applied to post-millennial trans awakenings, grounded in a deep love for Buffy the Vampire Slayer, and coming with its own slew of possible interpretations, Jane Schoenbrun’s eerie, visually entrancing, and sonically inventive cautionary love note to the nineties just might be it for the Zoomies.
Sundance 2024 Notebook: Veni Vidi Vici
Opening with an Ayn Rand quote, Daniel Hoesl and Julia Niemann’s family portrait of ultra-rich Austrian Psychos who quite literally get away with murder is almost too severe to be considered satire.