A Seattle moviegoing lifestyle magazine
If you’ve seen the animated feature by Disney released in 2002, then you already know the plot for this version of Lilo & Stitch, no surprises in store. It’s another in a slate of films where they’ve attempted to rely mostly on nostalgia an curiosity to get folks into theaters or on VOD a little later. While I’m not exactly on board with the live action train, admittedly I enjoyed myself throughout the nearly two hour run time.
I grouped these three films together as they have one key factor in common, incredibly strong female characters. While each lead is completely different from the other two, they all have a power that captivates you on screen and keeps you invested in the story from beginning to end. I recommend seeking out all three as you make your way through SIFF.
Boong (Gugun Kipgen) is a precocious kid that lives for getting into playful trouble, more annoying than harmful, with his best friend Raju (Angom Sanamatum). He’s too smart for his own good sometimes, but he knows what’s important.
Two couples, four best friends, Min (Han Gi-chan of kdrama Where Your Eyes Linger) and Chris (Bowen Yang of Crazy Rich Asians), Angela (Kelly Marie Tran, of several Star Wars films) and Lee (Lily Gladstone of Killers of the Flower Moon), live at the same address, share their lives and love each other. Nothing special or grandiose about their stories, there’s love, frustrations, insecurities, but these are things we all share as humans. While Chris is working through his issues with worthiness, aimlessness and fear of the future, Angela is trying to reconcile her frustrating and hurtful relationship with her mother while apprehensively preparing to become one herself with Lee’s second attempt at IVF looming.
Two formerly close friends, Rickey (Michael Angarano) and Glenn (Michael Cera) embark on a road trip after the former pops in for a visit to the latter. Rickey seems lost in grief after his father’s passing the year before and Glenn has gone off the deep end, swallowed up by fear of his impending role as a father. Rickey manages to get Glenn to head to Sacramento to supposedly carry out his late father’s last wishes, but has more than just scattering remains in mind. Along the way, they find their friendship again but also seem to create a sort of co-dependence that exacerbates their self-centered midlife crises.
While the in-person festival has come to a close, the virtual Slamdance Film festival is in full swing. Nearly every film available at the theaters in LA are now available for streaming for a killer price. I’ll have more pocket reviews coming up!
Marvin (Ke Huy Kwan) is a simple, easy-going and enthusiastic real estate agent in Milwaukee. He has his sights set on being the best of the best and it shows in every crumb of the fresh-baked cookies he makes for potential clients and co-workers alike. Soon it comes out that Marvin has a past he’d rather forget, a long-lost love (Ariana Debose) that suddenly re-emerges and a brother (Daniel Wu) who is hoping to wrangle him back into the family business.
In 1909 a small band of Korean independence fighters including protagonist Ahn Jung-geun (Hyun Bin) plot to assassinate Japan’s first Prime Minister Itō Hirobumi. Their goal was to take a big step toward Korean independence and pull their country out from underneath Japan’s harsh rule. Hirobumi had just rejected Korea’s attempt at annexation, so in response a small group of Korean soldiers hatched a plan to eliminate this new threat.
As the year winds to a close, we’re sharing lists of our favorite films we’ve seen (so far).
Kim Namjoon, better know as RM and member of the musical supergroup BTS, released an album early in 2024 titled Right Place, Wrong Person (RPWP). Within the world of ARMY, BTS’ fanbase, it was beloved just as any release from any of the members always are. However, it didn’t end up being as much of a commercial success as his bandmate Jeon Jungkook’s Golden or Park Jimin’s Muse despite those two albums bookending his own release. That doesn’t diminish the quality of the songs contained within RPWP; as a matter of fact, it is a deep dive into the emotional state of RM as a man and an artist that doesn’t go for the easy listen or immediately relatable lyrics. It just gets better the more often you listen to it. That becomes even more evident with a viewing of the accompanying documentary he created as the album was produced.
