Slamdance, founded in 1995, is a film festival that runs literally alongside Sundance in Park City, Utah. In their own words they are a film festival for filmmakers by filmmakers. Unlike Sundance, the unique part of Slamdance is the submission requirements: every one must be feature-length, a directorial debut without U.S. distribution, and budgets of less than $1 million USD. Many amazing artists have debuted their work at this festival like Bong Joon-Ho, Christopher Nolan, Anthony & Joe Russo, Rian Johnson, and our very own Lynn Shelton. To say that it’s a hotbed of talent is putting it lightly to say the least.
Author: Morgen Schuler
Morgen’s Favorite Films of 2021
Wow what a garbage year 2021 has been, and I didn’t think 2020’s sequel could be even worse, but here we are. However, thanks to the film gods, we didn’t have to go through it without some quality entertainment laid at our feet. Below is my top ten… ok top twelve movies for the year. One of the toughest parts of this list was which should be ranked where, so lets say they’re mostly tied with a couple stand-outs at the top.
Jóhann Jóhannsson’s Last and First Men is a meditative journey of sound and human experience
A long time coming, this surreal, ambient music-filled journey into the minds of humans far into the future, throws us into Jóhann Jóhannsson’s vision of the world. You see, this will be his first, and only, film in the director’s chair; he passed away far too young in 2018 before he could see its widespread release. With Tilda Swinton’s calm, yet emotionally distant monotone narrating, we embark on a free fall into Jóhannsson’s vision of what we as a race will be like and what we’ll be doing over a billion years in the future.
End of Us exudes a charming nostalgia none of us ever wanted
Leah and Nick are at the end of their rope. Nick is a starving actor relying on the steady income and stability that Leah adds to his life. She’s just about ready to cut the cord on him and the relationship when the pandemic hits and they’re literally stuck with each other. Even in the early days of COVID, the fear and intensity of the moment didn’t seem to distract from the frustration of being with someone they couldn’t stand and we’re taken along for the ride. They traverse the murky waters of isolation and uncertainty in a bubble of their own drama where both of them make questionable decisions, but seem to find a way to accept the humanity in one another.
Kurt Vonnegut: Unstuck in Time does justice to the story of a complex man
It’s nearly impossible, from a third party perspective, to give the full account of a man’s life. To read about him in a book, a magazine, or a newspaper, to talk to those who knew and loved him, it’s barely a caricature of the actual person; a two-dimensional facsimile. Fortunately for him and for us, director Robert Weide didn’t have to stoop to such measures to discover what made Kurt Vonnegut tick, he lived it. He met him, grew to know him, grew to love him, and over several decades’ time this film became a footnote in a friendship that would come to define him. Kurt Vonnegut: Unstuck in Time is a love letter, a friendship that would span many years, many life changes, and bring meaning to both their lives.
Ghostbusters: Afterlife leans on nostalgia and falls short
We see a shadowy older Egon chased by ghosts to a dilapidated farmhouse where he tries to capture the powerful spirit but fails and shuffles off this mortal coil in the process. His estranged daughter Callie (Carrie Coon) and her two kids Phoebe (McKenna Grace) and Trevor (Finn Wolfhard) are willed the dilapidated farm and all the debt that comes with it. Meanwhile, ghosts are once again reappearing in the world of the living and after discovering an old ambulance with crazy alterations (including a gunner seat and functioning proton pack), Pheobe, her new pal “Podcast”, and Trevor head out to get control of the situation. Throw in geology teacher Chad (Paul Rudd) to feed info to Phoebe info about the disturbances and you’re off on an adventure.
Belfast throws a city’s tragic history into stark relief
From the viewpoint of “Buddy” (Jude Hill), a precocious and big-hearted young boy, you’re pulled into the turmoil that was Belfast in the 1960’s. A majority of the folks living in the Republic of Ireland (the southern part of the country) consider themselves Catholic, and those in Northern Ireland (including Belfast) are Protestant, but the clash wasn’t exactly about religion, more about the politics of remaining under the umbrella of the United Kingdom (unionists in the North) as opposed to joining the rest of the country as a sovereign state (nationalists in the South). A time dubbed “The Troubles” began in the 60’s and didn’t really let up until the late 90’s (though there’s still conflict to this day); independent groups in favor of remaining with the UK along with the British army and police brought on violence in the 60’s and beyond to any Catholic (nationalist) homes, and didn’t discriminate who they attacked or hurt. It was a dangerous and scary time for any young person including Buddy, who lived on a street where both sides of the coin had been living harmoniously for as long as he could remember.
MVFF: Paper and Glue
JR has been an incredible street arts for decades now, starting out as a graffiti artist and moving on to photography, large scale street art and so much more. In the same vein as Banksy, he has something to say and says it with his work. Now traveling the world to literally cover it with his images, he finds unique ways to unite and teach folks you’d never expect to see in one space together much less working together to create art. Spanning three very different projects (and many stories) this documentary shows intense, beautiful, and revelatory experiences affecting everyone involved.
The Electrical Life of Louis Wain, charming, eccentric and sad
An electric life indeed. Louis Wain (Benedict Cumberbatch) was a talented and prolific artist and even early in life, quite eccentric. After his father passed away he was the sole money-maker for his five sisters and ailing mother, but he never seemed fit for typical employment. Drawing portraits, illustrations and animals he made a meager wage that kept the family afloat. He fell in love with his sisters’ governess Emily (Claire Foy) who happened to be 10 years older, so it was quite a scandal. Not caring one iota what anyone else thought, he created a home for them both in the country. Taking in a small kitten as a pet, which wasn’t typical for the day, the three of them were a happy little family living in eccentric bliss together…
MVFF: Sami, Joe and I
Teenage strife is the same no matter where you grow up, and Sami, Joe and I digs deep into three such lives that have more than their faire share. While trio of young women have grown up in the same town, they have a diverse family life each with their own set of troubles.