Whether you’ve seen Edmond Rostand’s original Cyrano de Bergerac on the boards or not, it’s been told, retold again and again more ways than I’m sure Rostand would ever have imagined. Cyrano’s long-time friend and beloved Roxanne falls instantly in love with Christian, a new soldier in the army, in which Cyrano (Peter Dinklage) is highly regarded and ranked. Roxanne (Haley Bennett) asks her old friend if he will watch over Christian (Kelvin Harrison Jr.) and encourage him to romance her through letters.
Author: Morgen Schuler
Sundance 2022: Neptune Frost
A futuristic look at life and death that still deals with the same struggles Black people suffer through today whether they’re American, Australian or African. Neptune Frost follows one person’s journey through life, the afterlife, and beyond in this strange tale of what it means to survive through the lens of social justice and technology.
Sundance 2022: My Old School
What if you found out you were going to school, and even best friends with, a complete stranger? That’s the oddly intriguing premise of this strange, winding documentary. A young man named Brandon Lee enrolled at Bearsden Academy, a secondary school in a ritzy suburb of Glasgow, Scotland. Over the course of the next year or so, he went from a nobody to the lead in the school play, everyone’s pal and the life of the party. Little did they know, he had a secret that would throw everyone he’d met there for a loop.
Slamdance Film Festival, where avante garde is the norm
Slamdance, founded in 1995, is a film festival that runs literally alongside Sundance in Park City, Utah. In their own words they are a film festival for filmmakers by filmmakers. Unlike Sundance, the unique part of Slamdance is the submission requirements: every one must be feature-length, a directorial debut without U.S. distribution, and budgets of less than $1 million USD. Many amazing artists have debuted their work at this festival like Bong Joon-Ho, Christopher Nolan, Anthony & Joe Russo, Rian Johnson, and our very own Lynn Shelton. To say that it’s a hotbed of talent is putting it lightly to say the least.
Morgen’s Favorite Films of 2021
Wow what a garbage year 2021 has been, and I didn’t think 2020’s sequel could be even worse, but here we are. However, thanks to the film gods, we didn’t have to go through it without some quality entertainment laid at our feet. Below is my top ten… ok top twelve movies for the year. One of the toughest parts of this list was which should be ranked where, so lets say they’re mostly tied with a couple stand-outs at the top.
Jóhann Jóhannsson’s Last and First Men is a meditative journey of sound and human experience
A long time coming, this surreal, ambient music-filled journey into the minds of humans far into the future, throws us into Jóhann Jóhannsson’s vision of the world. You see, this will be his first, and only, film in the director’s chair; he passed away far too young in 2018 before he could see its widespread release. With Tilda Swinton’s calm, yet emotionally distant monotone narrating, we embark on a free fall into Jóhannsson’s vision of what we as a race will be like and what we’ll be doing over a billion years in the future.
End of Us exudes a charming nostalgia none of us ever wanted
Leah and Nick are at the end of their rope. Nick is a starving actor relying on the steady income and stability that Leah adds to his life. She’s just about ready to cut the cord on him and the relationship when the pandemic hits and they’re literally stuck with each other. Even in the early days of COVID, the fear and intensity of the moment didn’t seem to distract from the frustration of being with someone they couldn’t stand and we’re taken along for the ride. They traverse the murky waters of isolation and uncertainty in a bubble of their own drama where both of them make questionable decisions, but seem to find a way to accept the humanity in one another.
Kurt Vonnegut: Unstuck in Time does justice to the story of a complex man
It’s nearly impossible, from a third party perspective, to give the full account of a man’s life. To read about him in a book, a magazine, or a newspaper, to talk to those who knew and loved him, it’s barely a caricature of the actual person; a two-dimensional facsimile. Fortunately for him and for us, director Robert Weide didn’t have to stoop to such measures to discover what made Kurt Vonnegut tick, he lived it. He met him, grew to know him, grew to love him, and over several decades’ time this film became a footnote in a friendship that would come to define him. Kurt Vonnegut: Unstuck in Time is a love letter, a friendship that would span many years, many life changes, and bring meaning to both their lives.
Ghostbusters: Afterlife leans on nostalgia and falls short
We see a shadowy older Egon chased by ghosts to a dilapidated farmhouse where he tries to capture the powerful spirit but fails and shuffles off this mortal coil in the process. His estranged daughter Callie (Carrie Coon) and her two kids Phoebe (McKenna Grace) and Trevor (Finn Wolfhard) are willed the dilapidated farm and all the debt that comes with it. Meanwhile, ghosts are once again reappearing in the world of the living and after discovering an old ambulance with crazy alterations (including a gunner seat and functioning proton pack), Pheobe, her new pal “Podcast”, and Trevor head out to get control of the situation. Throw in geology teacher Chad (Paul Rudd) to feed info to Phoebe info about the disturbances and you’re off on an adventure.
Belfast throws a city’s tragic history into stark relief
From the viewpoint of “Buddy” (Jude Hill), a precocious and big-hearted young boy, you’re pulled into the turmoil that was Belfast in the 1960’s. A majority of the folks living in the Republic of Ireland (the southern part of the country) consider themselves Catholic, and those in Northern Ireland (including Belfast) are Protestant, but the clash wasn’t exactly about religion, more about the politics of remaining under the umbrella of the United Kingdom (unionists in the North) as opposed to joining the rest of the country as a sovereign state (nationalists in the South). A time dubbed “The Troubles” began in the 60’s and didn’t really let up until the late 90’s (though there’s still conflict to this day); independent groups in favor of remaining with the UK along with the British army and police brought on violence in the 60’s and beyond to any Catholic (nationalist) homes, and didn’t discriminate who they attacked or hurt. It was a dangerous and scary time for any young person including Buddy, who lived on a street where both sides of the coin had been living harmoniously for as long as he could remember.