When Seattle indie filmmaker Rose Kreider asked me to check out her 2022 debut film The Woman, I was thoroughly impressed. It …
Author: Chris Burlingame
Chris’s Favorite Films of 2023
In 2022 it felt like moviegoing came (almost) all the way back (for the seemingly dwindling number of people who were willing to go into the theaters). As the year winds to a close, we’re sharing lists of our favorite films we’ve seen (so far).
Ridley Scott’s Napoleon is an epic production, not a history lesson
The life and times of Napoleon should give plenty of fodder for a biopic. He rose from humble beginnings on his way to becoming one of the most powerful people in the world’s history. The tagline on posters says “He came from nothing; he conquered everything.” It’s quite the story! Sure, several million people died along the way, but who’s counting?
Martin Scorsese’s Killers of the Flower Moon continues a long career of exceptional filmmaking
The Osage Nation, after being expelled and moved across the country a few times already, without choice, became the richest people per capita in the world when oil was found on their land. And it leads to one of the oldest and most American of stories: the white man’s coveting of anything of value that belongs to people they see as lesser.
It is once again time for SIFF DocFest
The time is nigh for SIFF to kick off its third(!) DocFest, a festival of many of the most interesting documentaries around the world. It all goes down starting tonight and running through next Wednesday at the Uptown. I’m most interested in catching two documentaries about two very different writers: John LeCarre and Tom Wolfe. But there’s a lot more to catch the attention of us documentary lovers.
Hercule Poirot, Ghost Hunter
It’s probably not a coincidence that A Haunting in Venice is my favorite of Kenneth Branagh’s three Agatha Christie/Hercule Poirot movies when it was the only one whose book I hadn’t read prior to seeing the film.
Oppenheimer is a masterclass in filmmaking
As long as I’ve been writing about the arts (somewhere near twenty years now), I’ve tried to keep any effusiveness in check, lest I feel like one of those critics whose names appear on movie posters declaring some Hollywood dreck like a Transformers movie life-changing. So when I left the theater after watching Oppenheimer, my emotions were almost foreign. I felt wonder and astonishment and like I had seen one of the best films I’ve seen in my life.
It’s time to embrace that this is now Barbie‘s world, we’re just living in it
Every time I saw a TV commercial or product tie-in for the new Barbie movie – and there were a lot – I had the same thought: “this movie better be good.” It gives me immense pleasure to report that, for the most part, it is an extremely well-made and enjoyable, often (literally) otherworldly, movie that will delight its audience.
Mission: Impossible — Dead Reckoning is the first great blockbuster of the summer, should you choose to accept it
Is there a long-running blockbuster movie franchise that is more dependably good than the Mission Impossible films with Tom Cruise? I don’t think there is.
Portrait of the Explorer as an Old Fart
It’s been fifteen years since Harrison Ford donned his famous fedora atop Indiana Jones’s head. But! The iconic archaeologist is back for what is likely a final exploration.