Reviews Year End Lists

Chris’s Favorite Films of 2023

In 2022 it felt like moviegoing came (almost) all the way back (for the seemingly dwindling number of people who were willing to go into the theaters). As the year winds to a close, we’re sharing lists of our favorite films we’ve seen (so far).

Reviews

Ridley Scott’s Napoleon is an epic production, not a history lesson

The life and times of Napoleon should give plenty of fodder for a biopic. He rose from humble beginnings on his way to becoming one of the most powerful people in the world’s history. The tagline on posters says “He came from nothing; he conquered everything.” It’s quite the story! Sure, several million people died along the way, but who’s counting?

Reviews

Martin Scorsese’s Killers of the Flower Moon continues a long career of exceptional filmmaking

The Osage Nation, after being expelled and moved across the country a few times already, without choice, became the richest people per capita in the world when oil was found on their land. And it leads to one of the oldest and most American of stories: the white man’s coveting of anything of value that belongs to people they see as lesser.

documentary Festivals SIFF

It is once again time for SIFF DocFest

The time is nigh for SIFF to kick off its third(!) DocFest, a festival of many of the most interesting documentaries around the world. It all goes down starting tonight and running through next Wednesday at the Uptown. I’m most interested in catching two documentaries about two very different writers: John LeCarre and Tom Wolfe. But there’s a lot more to catch the attention of us documentary lovers.

Reviews

Hercule Poirot, Ghost Hunter

It’s probably not a coincidence that A Haunting in Venice is my favorite of Kenneth Branagh’s three Agatha Christie/Hercule Poirot movies when it was the only one whose book I hadn’t read prior to seeing the film.

Reviews

Oppenheimer is a masterclass in filmmaking

As long as I’ve been writing about the arts (somewhere near twenty years now), I’ve tried to keep any effusiveness in check, lest I feel like one of those critics whose names appear on movie posters declaring some Hollywood dreck like a Transformers movie life-changing. So when I left the theater after watching Oppenheimer, my emotions were almost foreign. I felt wonder and astonishment and like I had seen one of the best films I’ve seen in my life.