A Seattle moviegoing lifestyle magazine
For the first time in a few years, the opening night gala for the Seattle International Film Festival felt almost too fancy for the likes of me to attend. It was the place to be, get dressed up, celebrate all that film in Seattle and beyond has to offer and a fantastic surprise to boot.
In an attempt at authenticity in his new film, the director, Gabriel (Johan Heldenbergh), seeks out youth from a housing project in a rural suburb in France. One young boy, Ryan (Timéo Mahaut), is the focus of the film and while he creates the mystique and gritty character they’re looking for, he’s already neglected by an unstable mother, having trouble in school and barely hanging on by the merciful love of his older sister.
We find ourselves back on Guardians’ base of operations with Peter, Drax, Nebula, Rocket and Groot, among others, trying to pull themselves together and find meaning in the new version of their day to day lives. After so much adventuring, ludicrous life-threatening scenarios and overwhelming loss (despite Gemora finding her way back to this existential plane), adjustment is challenging. Peter is trying to drink himself to death while the rest are building a new community amongst friends. As they’re settling in Warlock attacks Rocket out of nowhere and pushes him to the brink of death. To save their friend, the Guardians band together once again to seek out the key to unlocking not only Rocket’s mechanical body but the story of how he came to be.
Disney’s original animated feature of the same story, released in 1953, is one of their seminal films with countless spinoffs, retellings and re-imaginings. Let’s be real, Hook, Sony’s Picture’s version of the story from a slightly more Captain Hook-centric view is a classic in its own right. So I asked myself, what more could they do? What’s so special and interesting about this version that hasn’t already been done to death a la The Incredible Hulk (oh come on, you were thinking it too)?
Miguel is one of only a few people left on the planet. That’s no metaphor, Earth has lost its luster and a mass exodus is taking humankind to another habitable planet: Proxima Centauri B. Staying on Earth was not his plan and he aims to do something about it, hacking the system that rejected him he hopes to force his way onto the next ship out.
Mustache and With Love and a Major Organ are two cheeky, sweet, heart-wrenching stories about just wanting to be loved whether it’s by family, friends or a special someone. I think we can all relate to that.
While I didn’t get to dig into as many as I wanted, there were still a few that caught my attention. Funny enough, they were mostly in the horror genre… not exactly my cup of tea most of the time, but they were quirky and fun and I happily hopped out of my comfort zone. Check out my reviews below!
Native born South Korean, Freddie (Ji-Min Park) was adopted by a French family when she was only months old. As she attempts adulthood, Freddie is unexpectedly pulled toward her birthplace and without a ounce of Korean fluency she flies there on a whim. Despite saying otherwise to her new Korean friends, she desperately wants to connect with her birth parents.
Despite not making out to the physical festival, I have access to a scrumptiously large number of short films this year from every genre. I’m excited to get back to my niche in The Sunbreak universe and share with you some of the best from this year’s SXSW Film & TV Festival. So lets get on with it!
After two years of the pandemic creating a more accessible festival, in-person SXSWFilm is back with a tantalizingly long list of films that I am eager to devour. While I won’t be in Austin this year to experience the crazed ups, downs and sideways of traversing the crowds, freebies and long lines I will get to chow down on the smorgasbord of offerings that SXSW Film has to offer.
