A great way to feel ancient is to watch a very thorough documentary about someone who is incredibly famous whose existence you were nevertheless unaware. In this case, it was Casey Neistat’s account of the the rise and fall and rise of an incredibly popular YouTube personality called David Dobrik. Having himself achieved a high degree of notoriety through his own marathon presence on the social networking service, Neistat’s familiarity with the platform, fame, and Dobrik himself ideally positioned Neistat to get an insider’s view of a young star’s stratospheric ascent. When he began filming interviews with him in 2018, neither had any idea what was yet to come.
Category: Festivals
Movie Festivals around the world
SXSW 2022: I Love My Dad
“The following actually happened. My dad asked me to tell you it didn’t.” These are the first words that we see as James Morosini opens his autobiographical film. It’s one that he writes, directs, and has cast himself in the lead role, and as the story unfurls in ever-excruciating waves of cringe-inducing parental behavior, audiences will likely cling to this disclaimer in escalating disbelief about the veracity of these claims. As I squirmed through the hour and a half, I frequently found myself wondering about the therapeutic value of a thirty-year-old portraying himself at age seventeen to relive a terrible chapter in his own life. For his sake, I also hoped that the opening lines were themselves untrue.
SXSW 2022: 32 Sounds
It can be a cruel smack in the face or a gentle reminder not to take these wonderful bodies of ours for granted. 32 Sounds brings that into sharp focus tantalizing and teasing every aspect of the most wonderful of senses: hearing.
SXSW 2022: Linoleum
Lingering in his subconscious, he does his best to deal with a partner ready to check out completely, a job that’s going nowhere and kids that love him but may not like him all that much. That delicate balance is on the brink as a satellite crashes in the back yard of his suburban home throwing their world out of wack and giving them all some much needed perspective. Time starts to stretch and bend as the story takes an unexpected turn that crushes your heart and gives you hope all at the same time.
SXSW 2022 goes hybrid
Just as the world is starting to open back up (for what… the fifth time now?) Josh, Jenn and Morgen are “headed” to SXSW but only as far as their living room. This year the film festival is both in person and at a distance. Luckily for us there are a ton of options to take advantage of virtually so we can avoid those skyrocketing airline tickets and gas prices.
Sundance 2022: Festival Roundtable
Last weekend, the Sundance Film Festival concluded its second year of holding the festival entirely online. After returning from the virtual mountaintops and packing away our imaginary snow boots, Josh, Chase, and Morgen unpack some of our highlights, lowlights, and predictions from our ten days in virtual Park City.
Sundance 2022: Awards Weekend
The Sundance Film Festival announced all of its awards on Friday afternoon, with audience awards going to Navalny, Cha Cha Real Smooth, Girl Picture, The Territory, and Framing Agnes. Grand jury prizes were awarded to Nanny, The Exiles, Utama, and All That Breathes. I had missed a bunch of these during the premiere and second-screening windows; so I was grateful that the festival dedicated its final weekend to third showings of all of them so that I could catch up with a few more before packing up my virtual snow boots until next year.
Sundance 2022: Neptune Frost
A futuristic look at life and death that still deals with the same struggles Black people suffer through today whether they’re American, Australian or African. Neptune Frost follows one person’s journey through life, the afterlife, and beyond in this strange tale of what it means to survive through the lens of social justice and technology.
Sundance 2022: My Old School
What if you found out you were going to school, and even best friends with, a complete stranger? That’s the oddly intriguing premise of this strange, winding documentary. A young man named Brandon Lee enrolled at Bearsden Academy, a secondary school in a ritzy suburb of Glasgow, Scotland. Over the course of the next year or so, he went from a nobody to the lead in the school play, everyone’s pal and the life of the party. Little did they know, he had a secret that would throw everyone he’d met there for a loop.
Sundance 2022: Living
question for another day, but if you’re going to make one — as Oliver Hermanus did — there’s perhaps no one quite like Kazuo Ishiguro to craft a symphonic tribute to the deep wells of emotion lurking within the stoic reserved protocols of a formal bureaucracy.