Directors Kelly O’Sullivan and Alex Thompson leverage the chemistry of a real-life family in crafting a drama about a working-class Chicago-area household. When we first meet the family in a principal’s office as they’re still reeling from the aftershocks of an unspecified trauma and the mounting stress of a looming lawsuit.

These are three films Morgen was incredibly eager to view and it ended up being a mixed bag of contentment and disappointment. She talks of a French meta-film about film, an over-the-top South Korean dark comedy, and an intimate portrait of male prostitution.