A Seattle moviegoing lifestyle magazine
To its enormous credit and occasional detriment, Jacques Audiard’s improbable musical is as mercurial as its title drug kingpin-to-society queen would-be heroine. With something new every few minutes the boldly ambitious film succeeds in never being boring while it has an enormous amount to say (sing).
Jesse Eisenberg and Kieran Culkin are terrifically paired as an anxiety bundle and his charismatic chaos monster cousin.
It’s like Psycho with Mormons. That should be the tagline.
The premise for Clint Eastwood’s latest is admittedly delicious: what if a juror in a murder trial might be the real killer?
Sean Baker launches a rocketship of delirious romance that can’t possibly last when a private dancer lands the ultimate girlfriend experience with a fun young Russian oligrarch’s heir.
The Holy Throne of Saint Peter is vacant. Edward Berger churns a satisfying political potboiler in the Vatican as the titular conclave of Cardinals sequester themselves to select its next occupant. No one wants to admit they want the job, everyone has an agenda, and secrets hide in the dark corners of each man’s heart.
Smile 2 (2024 | USA | 127 minutes | Parker Finn) On a superficial level, Smile 2, writer/director Parker Finn’s sequel to …
Jason Reitman’s hyperkinetic dive into the unbelievable 90 minutes of chaos before the first ever episode of Saturday Night Live is hardly a study in extreme competence, but it’s a hell of a ride.
The old adage that the original is always better than the sequel certainly applies here. It wouldn’t be hyperbole to say that Joker: Folie à Deux is the most unpleasant experience I’ve had in a movie theater since SIFF decided to screen the (almost literally) nauseating The Greasy Strangler for press and passholders.
There’s nothing quite like a sobriety memoir to put an actor through their paces and Saoirse Ronan goes on a full marathon as an alcoholic searching for recovery, grace, and little birds in the harsh windswept beauty of the outer Orkney Islands
