Category: Reviews

Reviews

Ari Aster drags us back to pandemic hell with Eddington

by Josh

Hard to believe it’s already been five years since the SARS-CoV-2 landed on our shores, and the response to the novel coronavirus shredded the hearts and minds of the United States into a toxic waste dump whose halflife remains unknown. Or at least that’s the feeling that one gets from watching Eddington, the latest from the twisted mind of horror auteur Ari Aster.  After a Cannes premiere approximately coinciding with the anniversary of the COVID-19 pandemic, it crashes into theaters this weekend like the Kool-Aid Man running through a brick wall, but more painfully.  

Reviews

Nerds of the world, rejoice! Superman is good.

by Chris Burlingame

Unless you’ve been living under a rock, you’re probably aware that there’s a new Superman movie heading to theaters this summer. If you are living under a rock, the Man of Steel will cheerfully use his super-human strength to hold up said rock long enough to move yourself, your family, and your worldly possessions to much more stable housing.

Reviews

Jurassic World: Rebirth is Exasperatingly Underwhelming

by Morgen Schuler

Taking place in the “Jurassic” universe, a secret scientific lab set up on a remote island not only cloned, but spawned super-beasts both grotesque and lethal. Jump ahead thirteen years to Mercenary Zora Bennett (Scarlett Johansen) being offered unimaginable wealth by an overly eager big pharma rep, to lead a team that will extract dino DNA from live specimen near the now defunct lab. Bennett, her ragtag crew, the pharma rep and reluctant, recently unemployed, paleontologist Dr. Henry Loomis (Jonathan Bailey) seek out three specific species to snatch some blood then gtfo before you can say “Hold onto your butts”.

F1 the movie
Reviews

With F1 ® The Movie Apple Studios Starts their Engines

by Josh

Joseph Kosinski continues to establish himself as the cinematic poet laureate of aging men and fast metal. Like Maverick before it, F1 The Movie sees a past-his-prime speed demon called back into service for one last shot to live out his dreams and save a massive enterprise. Both might be better interpreted as death reveries, but damn if it isn’t incredibly fun to coast alongside their heroes in the perpetual golden hour of wish fulfillment. 

Hi-Five
Reviews

Korea’s Hi-Five is a super-natural feel good comedy

by Morgen Schuler

Five strangers find them selves tangled up in each others lives after each receives organ donations from a mysterious donor. The young Wan Seo (Lee Je In) a Taekwondo champion with a failing heart and over-protective father, Gi Dong (Yoo Ah In) lost his site as a child, Ji Song (Ahn Jae Hong) got a new set of lungs, Seon Nyeo (Ra Mi Ran) was fitted for kidneys after attempting to take her life, and the overly kind and intensely devout Yak Seon (Kim Hee Won) gained a new liver. Very quickly after their operations, they were up and about, but even more surprising was their newly manifested super powers and a strange tattoo that appeared along with them.

Reviews Theaters

28 Years Later ups the scale and the heart–and it’s scary, too

by Tony Kay

Spoiler alert (not): 28 Years Later, the second sequel to director Danny Boyle’s influential 2002 shocker 28 Days Later, could hardly be better. And unlike 28 Weeks Later, the rather meh second film of the franchise, this new entry serves up something deeply emotional, stunningly ambitious, seriously creepy, decidedly distinctive from its predecessor(s), and exhilaratingly suspenseful. 

Reviews

Celine Song’s Materialists checks a lot of boxes, but is that enough?

by Josh

Fresh off the enormous success of Past Lives, Celine Song returns to the world of divided affections in Manhattan. Her first semi-autobiographical film concerned yearning across decades and missed connections across continents. It was among my favorite movies of 2023 , an Oscar nominee, and Seattle Film Critics Society’s Best Picture of the Year. Materialists, which finds her returning as both writer and director, is also loosely inspired by her own past life, bringing a more cynical eye to the complexity of beautiful people seeking soulmates from the comfortable side of the precipitous economic divide.