A Seattle moviegoing lifestyle magazine
Fascinated from the moment light hit the screen, young Samay is hooked on moving pictures. A strict father insisting the film industry is made up of sleaze and nothing else, the precocious nine-year-old is even more drawn in. Skipping school to watch everything he can get his eyes on, he befriends the man running the projector at his local movie house and learns everything there is to know about splicing and reels eating up every last morsel of knowledge he can grab…
A film that is deeply uncertain of what it wants to be or where its strengths lie, Halloween Kills succeeds in sending any lingering interest in this franchise to its grave.
Sarah is steeped in a world of scientific study and dissertations; that world suddenly stops with just a single phone call, her mother has died of a sudden aneurism. Not only has she lost someone dear to her but she’s thrown into the deep end of caring for her funeral arrangements, both American and Ghanaian. She’s much more familiar and comfortable with the former, but the culture and customs of her mother’s homeland go way over her head.
A historic epic bold enough to feature a blonde Ben Affleck and a mulleted Matt Damon, Ridley Scott’s The Last Duel is given life from a riveting performance by Jodie Comer.
Two NIGHTSTREAM films exploring time travel in lightly sci-fi ways: one a fun Japanese comedy, and one a grief-infused Australian family drama.
Two films in this year’s virtual genre fest explore social paranoia, and that weirdo who throws off the vibe of a peaceful retreat.
Kenza is a headstrong, whip-smart young girl living on the island of Curaçao where, like any indigenous peoples lorded over by a colonial nation, is pulled in two directions. Her father, Ouira, wants to fit into the Dutch culture that has taken over the island, but her grandfather Weljo is steadfastly holding to their tribal traditions. Kenza feels pulled toward the mysticism and wonder of those traditions, especially the call of the dead after losing her mother at a very early age. Loss of land and culture is a constant undercurrent throughout the film, there’s a growing feeling of heartbreak in all three generations and in the end they find each other again through the love of family.
Any truly personal and genuinely ambitious film that manages to get made in this safe-bet, profit-driven cinema landscape deserves a round of applause. And The Blazing World, actor Carlson Young’s feature film directorial debut, possesses both ambition and a decidedly personal touch in spades.
In a fantastical animated world where bears speak, are rarely interested in attacking humans and live for their fellows’ happiness is where we find ourselves in The Bears’ Famous Invasion. A story within a story, it unfolds with the city of Sicily coming under invasion by a mass of bears because their leader has lost his son and believes him to be taken into the city unwillingly by humans.
A24’s trailer for Lamb is quite possibly one of the best short films of the year. It’s two minutes of electricity in a bottle. Valdimar Jóhannsson’s actual 107 minute film didn’t stand a chance.
