Two local documentaries, both making their world premieres at SIFF, are reviewed (and recommended!).
SIFF 2023: Recommendations for Opening Weekend
It’s here! SIFF opens its 49th annual festival on Thursday night with Celine Song’s exceptional debut feature Past Lives. Here at the SunBreak, we’re excited to dive back into the city’s biggest festival for film fans. To help you navigate the deluge, we each identified a few recommendations for films screening over this coming days.
A poignant portrait of real life versus art in The Worst Ones
In an attempt at authenticity in his new film, the director, Gabriel (Johan Heldenbergh), seeks out youth from a housing project in a rural suburb in France. One young boy, Ryan (Timéo Mahaut), is the focus of the film and while he creates the mystique and gritty character they’re looking for, he’s already neglected by an unstable mother, having trouble in school and barely hanging on by the merciful love of his older sister.
SIFF 2023: SunBreak Index
An annotated list of all of the SunBreak’s coverage of the 49th Seattle International Film Festival, which runs from May 11-21 in person and May 22-28 online.
Guardians of the Galaxy Vol. 3 is a catharsis for all that came before
We find ourselves back on Guardians’ base of operations with Peter, Drax, Nebula, Rocket and Groot, among others, trying to pull themselves together and find meaning in the new version of their day to day lives. After so much adventuring, ludicrous life-threatening scenarios and overwhelming loss (despite Gemora finding her way back to this existential plane), adjustment is challenging. Peter is trying to drink himself to death while the rest are building a new community amongst friends. As they’re settling in Warlock attacks Rocket out of nowhere and pushes him to the brink of death. To save their friend, the Guardians band together once again to seek out the key to unlocking not only Rocket’s mechanical body but the story of how he came to be.
Are You There God? It’s Me, Margaret is a wonderful adaptation of a remarkable book
When I first learned that a movie for the Judy Blume classic novel of adolescent angst Are You There God? It’s Me, Margaret, I couldn’t help but feel cynical. It’s hard not to be considering how many great books I cherish have been turned into forgettable adaptations over the past few years. It brings me great joy to report back that the new film adaptation of Margaret is…quite good.
Disney’s Peter Pan & Wendy is the adventure you wished for
Disney’s original animated feature of the same story, released in 1953, is one of their seminal films with countless spinoffs, retellings and re-imaginings. Let’s be real, Hook, Sony’s Picture’s version of the story from a slightly more Captain Hook-centric view is a classic in its own right. So I asked myself, what more could they do? What’s so special and interesting about this version that hasn’t already been done to death a la The Incredible Hulk (oh come on, you were thinking it too)?
SIFF 2023: Quick Picks, Tips, and Tricks for the 49th Annual Seattle International Film Festival
Starting today, tickets and passes are now available to the public for the 49th Seattle International Film Festival. Running in person from …
Judy Blume Forever is a loving tribute to one of the world’s most beloved authors
Judy Blume is such a wonderful subject for a documentary it’s almost a surprise that we’re just getting a doc about her life now. A career-spanning film about Ms. Blume’s life is long overdue. Besides being an almost-universally beloved author who has more people that confess to her (mostly adolescents) than the Pope, she just radiates warmth.
In Showing Up, art isn’t easy, but it’s not the hardest part.
In their fourth collaboration, director Kelly Reichardt and Michelle Williams reunite to bring a sensitively-rendered portrait of a working artist to the screen. Cinema is typically more interested in depictions of budding geniuses, dramatically troubled, foolishly unrecognized who go on to break history with blockbuster shows, but that’s never been Reichardt’s territory. Instead, working from a script written with frequent collaborator Jon Raymond, she centers the narrative in present-day Portland in the week leading up to a working ceramicist’s show at a neighborhood gallery show. What the film eschews in terms of fireworks are easily lifted by the rich textures that it observes.