Passing (2020 | USA | 98 minutes | Rebecca Hall) Tessa Thompson and Ruth Negga bring incredible interiority to Rebecca C. Hall’s …
Belfast throws a city’s tragic history into stark relief
From the viewpoint of “Buddy” (Jude Hill), a precocious and big-hearted young boy, you’re pulled into the turmoil that was Belfast in the 1960’s. A majority of the folks living in the Republic of Ireland (the southern part of the country) consider themselves Catholic, and those in Northern Ireland (including Belfast) are Protestant, but the clash wasn’t exactly about religion, more about the politics of remaining under the umbrella of the United Kingdom (unionists in the North) as opposed to joining the rest of the country as a sovereign state (nationalists in the South). A time dubbed “The Troubles” began in the 60’s and didn’t really let up until the late 90’s (though there’s still conflict to this day); independent groups in favor of remaining with the UK along with the British army and police brought on violence in the 60’s and beyond to any Catholic (nationalist) homes, and didn’t discriminate who they attacked or hurt. It was a dangerous and scary time for any young person including Buddy, who lived on a street where both sides of the coin had been living harmoniously for as long as he could remember.
Spencer is a haunted fable with Kristin Stewart as Princess Diana at its trembling heart
The title card calls Spencer a “haunted fable inspired by a true life tragedy”, but director Pablo Larraín films it like a straight-up psychological horror movie. It’s all low angles, alienating empty spaces, and a conspicuous number of dead pheasants.
Eternals falls under the weight of its own ambition in the MCU’s biggest misfire
It was just two months ago, almost to the day, that I was, uhh, marveling at how Marvel Films’ blockbusters were mostly entertaining in the same ways. Watch enough of the movies, and they have a formula down for delivering a satisfying film experience. All that gets turned on its head with Eternals, the latest addition to the Marvel Cinematic Universe. The movie is filled with lush, gorgeous cinematography, and a rich and diverse cast. You shouldn’t expect less when dealing with the reigning Best Director, Chloe Zhao. It’s also weirdly somehow both too long and not long enough. Altogether, though, the movie is messy, unfocused, and a massive disappointment.
With a triumphant sequel, Joanna Hogg deepens the Souvenir expanded cinematic universe.
In a film landscape where every year’s box office charts are dominated by continuations, spin-offs, and reboots of existing intellectual properties, it shouldn’t be too surprising to see a sequel storm into the fall movie season to make a splash. Sure, there’s another big Marvel (by an Oscar-winning auteur no less) bombasting its way into multiplexes this weekend. That’s no shock. But the curious delight, however, is in A24’s clever counterprogramming: moving ahead the release date for Joanna Hogg’s sequel-of-sorts to her intricately-observed 2019 memoir, the Souvenir.
Shot and set in Seattle, misguided film In the Company of Women misses the mark
A local film shot and set in Seattle, In the Company of Women is an occasionally interesting if ultimately misguided story that never manages to find a compelling narrative groove.
The Beta Test is Jim Cummings at his most strange
The Beta Test is a chaotic and mysterious story of how one Hollywood agent receives a purple envelope containing a letter offering a sexual encounter with a stranger. The letter and the stranger soon become an obsession that will utterly consume his life. It is an all-encompassing piece of work, writer-director Jim Cummings’s most ambitious yet, a high compliment considering all that has already come before it.
Finch is a science fiction three stooges: Tom Hanks, his dog, and a robot
A breezy if basic science fiction journey, Finch follows Tom Hanks traveling across an apocalyptic America to San Francisco with his dog and a robot in tow.
MVFF: Paper and Glue
JR has been an incredible street arts for decades now, starting out as a graffiti artist and moving on to photography, large scale street art and so much more. In the same vein as Banksy, he has something to say and says it with his work. Now traveling the world to literally cover it with his images, he finds unique ways to unite and teach folks you’d never expect to see in one space together much less working together to create art. Spanning three very different projects (and many stories) this documentary shows intense, beautiful, and revelatory experiences affecting everyone involved.
Mass is a masterpiece of the unimaginable
It gives shape and form to the aftermath of violence in an attempt to uncover if we can heal.