Set in Belgrade/Yugoslavia in ’93, Marijana dedicates her day, her life, to her family. Today she’s making sure everything is ready for her daughter Minja’s birthday: fixing the food, inviting the kids, opening her home to family and friends all the while quietly holding a lingering sadness brought on by age, a dwindling sex life and tensions throughout her country. The party begins and we’re split off into two worlds, one where the kiddos celebrate through the veneer of a Teenage Mutant Ninja Turtles theme while the adults talk about politics, sexual freedoms, new and old loves, and everything in between.
Ron’s Gone Wrong, funny and sweet in concept
kid… sort of. He’s just as normal as everyone else except his family can’t afford the shiny new toy that’s taking over, Bebot. All he wants for his birthday is to “be like everyone else” and join the Bebot family. In some kind of kismet moment, his family manages to get one that fell of the truck. That’s not a euphemism, it literally did; so Barney’s new best friend Ron is just a little bit off, but that’s what makes him special. He can’t connect to the rest of the world (through wifi) like everyone else’s so they just get a chance to have fun. Through this new friendship and their somewhat ridiculous adventures Barney discovers what’s really important and it’s not being the most liked picture on the web or having the most virtual friends.
MVFF: The Last Film Show
Fascinated from the moment light hit the screen, young Samay is hooked on moving pictures. A strict father insisting the film industry is made up of sleaze and nothing else, the precocious nine-year-old is even more drawn in. Skipping school to watch everything he can get his eyes on, he befriends the man running the projector at his local movie house and learns everything there is to know about splicing and reels eating up every last morsel of knowledge he can grab…
Halloween Kills is a film that just won’t die even as you want it to
A film that is deeply uncertain of what it wants to be or where its strengths lie, Halloween Kills succeeds in sending any lingering interest in this franchise to its grave.
MVFF: Queen of Glory deals with loss and love with a delightful cast
Sarah is steeped in a world of scientific study and dissertations; that world suddenly stops with just a single phone call, her mother has died of a sudden aneurism. Not only has she lost someone dear to her but she’s thrown into the deep end of caring for her funeral arrangements, both American and Ghanaian. She’s much more familiar and comfortable with the former, but the culture and customs of her mother’s homeland go way over her head.
The Last Duel is Ridley Scott at his best with Jodie Comer at the helm of a historic epic
A historic epic bold enough to feature a blonde Ben Affleck and a mulleted Matt Damon, Ridley Scott’s The Last Duel is given life from a riveting performance by Jodie Comer.
NIGHTSTREAM 2021: Beyond the Infinite Two Minutes, The Greenhouse
Two NIGHTSTREAM films exploring time travel in lightly sci-fi ways: one a fun Japanese comedy, and one a grief-infused Australian family drama.
NIGHTSTREAM 2021: All My Friends Hate Me, To The Moon
Two films in this year’s virtual genre fest explore social paranoia, and that weirdo who throws off the vibe of a peaceful retreat.
MVFF: Buladó
Kenza is a headstrong, whip-smart young girl living on the island of Curaçao where, like any indigenous peoples lorded over by a colonial nation, is pulled in two directions. Her father, Ouira, wants to fit into the Dutch culture that has taken over the island, but her grandfather Weljo is steadfastly holding to their tribal traditions. Kenza feels pulled toward the mysticism and wonder of those traditions, especially the call of the dead after losing her mother at a very early age. Loss of land and culture is a constant undercurrent throughout the film, there’s a growing feeling of heartbreak in all three generations and in the end they find each other again through the love of family.
Emotional catharsis and dark fantasy inform The Blazing World
Any truly personal and genuinely ambitious film that manages to get made in this safe-bet, profit-driven cinema landscape deserves a round of applause. And The Blazing World, actor Carlson Young’s feature film directorial debut, possesses both ambition and a decidedly personal touch in spades.