I Blame Society (2021 | USA | 85 minutes | Gillian Wallace Horvat) Dark times tend to give birth to dark comedies. …
Fake Famous peers through the looking glass of influencer culture, and that looking glass is actually a toilet seat
Fake Famous (2021 | USA | 86 minutes | Nick Bilton) New York Times and Vanity Fair tech reporter Nick Bilton has …
On Stream: Malcolm & Marie, International Features, Marion Stokes
Malcolm & Marie (2021 | USA | 106 minutes | Sam Levinson) Debuting this weekend on Netflix, Malcolm and Marie finds Euphoria …
Sundance 2021: That’s A Wrap
Last week, Josh and Jenn made the virtual trip to Park City for the Sundance Film Festival’s attempt at going virtual. Back at sea-level, we chatted about our very online experiences and festival highlights.
Sundance 2021: In The Earth, Strawberry Mansion, Together Together
Capsule reviews of three Sundance screenings.
Bliss was less hit and more miss
Bliss (2021 | USA | 103 minutes | Mike Cahill) I’m still not sure how I feel about Mike Cahill’s Bliss. His fourth …
The Little Things is as memorable as its title
The Little Things (2021 | USA | 127 minutes | John Lee Hancock) Leading up to its simultaneous debut in some movie …
Sundance 2021: Flee, Hive
Flee (2021 | Denmark/France/Sweden/Norway | 90 minutes | Jonas Poher Rasmussen) Flee, an incredible film about the harrowing journey of Amin, a …
Sator embraces the unknown and the unanswerable
Sator (2020 | USA | 86 minutes | Jordan Graham) Mark Twain offered one of the most cogent pieces of advice on creating …
Sundance 2021: Life in a Day 2020 and All Light, Everywhere
Reviews of two new experimental documentaries about the way we see ourselves that premiered at Sundance.