There’s nothing quite like a sobriety memoir to put an actor through their paces and Saoirse Ronan goes on a full marathon as an alcoholic searching for recovery, grace, and little birds in the harsh windswept beauty of the outer Orkney Islands

Comedy superstar Will Farrell joins his recently-transitioned friend for an illuminating cross-country road trip of strikingly honest conversations and open-hearted discovery.

This caper starring June Squibb as a 93-year-old granny on a Cruise-inspired impossible mission to avenge her honor after being phone scammed & Fred Hechinger as underemployed Grandson of the Year might be the Most Sundance Movie of the fest: impeccably made, note-perfect, heartwarming comedy.

Into each generation a new Donnie Darko is born. With Lynchian threads as applied to post-millennial trans awakenings, grounded in a deep love for Buffy the Vampire Slayer, and coming with its own slew of possible interpretations, Jane Schoenbrun’s eerie, visually entrancing, and sonically inventive cautionary love note to the nineties just might be it for the Zoomies.

Sundance 2024 is in full-swing in Park City, Salt Lake City, and — beginning on the 25th — online. I’m on the ground scurrying around the mountains to catch as much as I can. Keep an eye here (and @thesunbreak) for quick updates throughout the festival, with longer reviews to follow.

Seems like this manic movie about a cantor who finds himself unable to sing (Jason Schwartzman) a year after the death of his wife who inexplicably finds himself volunteering to prepare his zany old music teacher (Carol Kane) for her adult bat mitzvah aims to capture how it feels like to be driven mad by family, religion, and grief. If so, mazel!

Hard to believe there hasn’t already been an authoritative documentary on the making of “We Are the World”, but it’s still very cool to sit down in a room with Lionel Ritchie as he recounts the navigating the conception, songwriting, logistics, and personalities of getting so many stars to agree to record an overnight charity hit.

Jesse Eisenberg and Kieran Culkin are terrifically paired as an anxiety bundle and his charismatic chaos monster cousin.

Rather than taking the audience out of the action with recreations, she instead employs the use of meticulously handcrafted dioramas that pull both viewers and her subjects into the story in a manner rarely seen in documentary.

An important Sundance tradition is seeing surprisingly explicit gay sex scenes in public library. Last year it was Passages; this time it’s Sebastian, about an up-and-coming writer discovering himself through the world’s oldest profession: auto-fiction.