A movie about a lost robot and a cynical loner fox raising an orphaned goose, plus the power of unlikely animal friendships? It’s as if this gorgeously animated marvel was built in a lab specifically to make me weep. Task accomplished, satisfaction rating 10/10.
Tag: toronto international film festival
Kate Winslet brings a spotlight to a pioneering photojournalist in Lee
In the title role of Lee Miller, Kate Winslet embodies the humanity of a pioneering photographer who was driven to bravely document the front lines of World War II.
Demi Moore triumphs in body horror satire The Substance
At long last, someone is brave enough to answer the question of whether there is anything grosser than watching Dennis Quaid eat shrimp.
TIFF 2024: Queer
Thought if anyone could make the smack-addled writings of William S Burrows romantic it would have to be Luca Guadagnino, but alas.
TIFF 2024: Nightbitch
Amy Adams is phenomenal as an artist who set her career aside to raise an adorable child; she sells the madness of isolation as her identity attempts to reclaim itself with hallucinations (maybe) that she’s turning into a dog.
TIFF 2024: Emilia Pérez
To its enormous credit and occasional detriment, Jacques Audiard’s improbable musical is as mercurial as its title drug kingpin-to-society queen would-be heroine. With something new every few minutes the boldly ambitious film succeeds in never being boring while it has an enormous amount to say (sing).
TIFF 2024: On Swift Horses
I suppose it’s kinda cool that the hottest young stars in Hollywood now establish their cred by the rite of passage of playing gay. In Daniel Minahan’s adaptation of Shannon Pufahl’s 2019 novel, at least Jacob Elordi and Daisy Edgar Jones avoid tragic weepy stereotypes in this handsome literary take on queer identities in the 1950s American West.
TIFF 2024: The Life of Chuck
Told in three acts in reverse, Mike Flanagan has made a lovely little Stephen King adaptation about how Tom Hiddleston came to be an exceptional dancer who contains multitudes.
TIFF 2024: Eden
Ron Howard dives into the dark scheming heart of humanity in recounting a true story of self-promotional Galapagos settlers in the 1930s.
Glen Powell is a hilarious master of disguise in Hit Man
Richard Linklater serves up a very tasty slice of an incredibly loopy premise. Glen Powell gobbles it up and makes it work through the power of pure, unrelenting, leading man handsomeness. Nothing wrong with pairing a director who knows how to have a good time with an actor who’s ascending to movie star supernova. Here the daffy vaguely-true story meshes with an intensely charming performance into a delightful gumbo.