Jamie New has never felt ordinary, and fitting in with the rest of the kids wasn’t a priority but it wasn’t easy to go to school every day feeling like an outsider. Dreaming of becoming a performer, a star, is a desire he’s always known and can’t seem to live without and he’s just waiting to get out of high school to burst onto the drag scene. Based on the very real story of a kid wanting to be more than he is but finding resistance at every turn, this is the third in a line of productions based on his life starting with a television show, evolving into a broadway play and (maybe) finishing with this movie. The story is so universal every iteration is a success, including the film, so why keep telling it? It’s uplifting, we all want to feel like we belong and we’ve found a place, a thing and avocation that calls to us… helps us to feel comfortable in our own skin. This one hits the spot.

It made me feel like my head was going to explode while also putting my mind at ease once it settled into what it really wanted to be. It is full speed ahead and Wan is the maniac in the driver’s seat taking us off the cliff.

An incredible calling card of a feature debut, Small Engine Repair is a remarkably well-written and acted character study of three deeply flawed men trying to reconnect with each other. 

Set with the gorgeous backdrop of Appalachia all around them, The Evening Hour is an indictment on how little opportunity and a lot of desperation can push a man to thing he never would have considered otherwise. Cole (Philip Ettinger, First Reformed) was born and raised in a small town destroyed by corporate greed and coal mining and living day to day the best he can. An orderly at the local senior home, he also makes ends meet by selling opiates around town. We’re immediately drawn to him for his good deeds around town: bringing groceries to elderly locals, giving cash to his grandmother, but he’s still part of a system that creates and keeps folks addicted.