There are many reasons to be skeptical of the current Nineties Revival, but one undeniably good element is that is Hollywood’s hottest people are finally get to have fun being hot in movies again. Joining the likes of Anyone But You, Challengers, and Hit Man is David Leitch’s unlikely reimagining of the 1980s action-adventure procedural The Fall Guy. Dispensing with the formalities of a strict reboot the stuntman-turned-director instead lets Ryan Gosling and Emily Blunt – the Oscar-nominated supporting cast from Barbenheimer– cook in a towering inferno of undeniable charisma.

Luca Guadagnino has long explored the way our sexy human bodies drive us to madness, whether it’s a steamy countryside romance, the horror of an elite ballet academy, or the insatiable hunger for human flesh that motivates a cross-country road trip. With Challengers, he transports us into the inner psychological warfare of the most dangerous game of all: men’s profession tennis.

Bertrand Bonello’s century-spanning tryptic is nothing if not inventive, but it’s sometimes hard to find the emotion in the high aesthetics. But if you give yourself over to it, you come to realize that maybe the chilly gulf is exactly the point of this stylish filmmaking exercise that melds science fiction and humane mysticism. Whether it’s in any given moment or spanning across time, its interlocking stories confront the impossibility of making deep simultaneous connections.

We start up where Part One left us as Paul (Timothée Chalamet) and Lady Jessica (Rebecca Ferguson) Atreides have found the mistrusting Fremen that they must win over not only to survive but to thrive as both Paul and Jessica have foreseen. Each has their own path in what will become the fight for the freedom of these people and themselves. The latter must manipulate the religious fervor for the coming messiah while the former must lead the people, even if it’s not what he wants for himself.