Reviews

A Man. No Plan. Those Canals. Amsterdam.

Oh boy. David O’ Russell’s zany star-packed Amsterdam is a movie with so much going for it that nevertheless makes itself incredibly challenging to recommend. I sympathize with those who will find it simultaneously too much and not enough, or recoil from the ambitious sentimentality that animates its many excesses. I also groaned as it’s machinery sputtered and strained to draw meaning from madness. Yet! From its chaotic energy — a hallmark of a director who’s a monster on set yet consistently attracts the industry’s highest levels of talent — spring no shortage of genuinely laugh-out-loud bits and gonzo performances. Like most of his work, it’s a big-hearted mess that many will hate, but some might be able to forgive in spite of itself.

Festivals Interviews

Orcas Island Film Festival Co-directors on returning to semi-normalcy to share exceptional moviegoing experiences

We were thrilled to see that the Orcas Island Film Festival was planning a big return for 2022 after a slightly-subdued 2021. Since then, they’ve released their full lineup — a jaw-dropping collection of some of the top prize-winners and most buzzworthy titles from many of the year’s most prestigious festivals. Along with potentially Oscar-bound international films and heart-stirring documentaries, the re-expanded program will pose scheduling conundrums for attendees trying to decide how to best plan a weekend of seeing some of the year’s best films well in advance of their neighbors. For lovers of first-look films, it’s among the best kinds of problem to have!

Festivals Reviews

TIFF 2022: Glass Onion and Triangle of Sadness eat the rich.

The follies of the wealthy are on full display in two comedy premieres in Toronto. Rian Johnson returns to the Knives Out saga with Glass Onion’s debut and Ruben Östlund’s Palme d’Or winner Triangle of Sadness made landfall on North American shores during TIFF 2022.

Festivals Reviews

Telluride 2022: The Wonder, Bones and All

Two esteemed international directors brought stories of hunger and horror to the Telluride Film Festival in the form of a World Premiere for Sebastián Lelio’s gothic mystery The Wonder and a US premiere for Luca Guadagnino’s cannibal love story Bones and All