An important Sundance tradition is seeing surprisingly explicit gay sex scenes in public library. Last year it was Passages; this time it’s Sebastian, about an up-and-coming writer discovering himself through the world’s oldest profession: auto-fiction.

Between this and last year’s Magazine Dreams, someone in the Sundance programming department sure has a thing for bodybuilder body horror.

After sitting through two hours of the Zellner brother’s long-awaited, dialogue-free, scatalogical feature, I have come to the conclusion that the quotidian existence of America’s favorite hairy cryptozooid is perhaps a topic best left enshrouded in eternal mystery.

Conjuring something between Hogwarts and Kingsman, Kobi Libii imagines an “American Society of Magical Negroes” as a real world organization behind the “supportive black friend” trope.

Remember 2020? Theda Hammel’s period piece finds John Early as Terry Goon (lol), a harried, incompetent, Covid-conscious caretaker for his exoticized model nephew who’s recovering in isolation from a broken leg.

Opening with an Ayn Rand quote, Daniel Hoesl and Julia Niemann’s family portrait of ultra-rich Austrian Psychos who quite literally get away with murder is almost too severe to be considered satire.