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Movie Festivals around the world
Some things that we learn from Christoffer Sandler’s sweet-hearted coming-of-age story: there’s apparently no Swedish word for the concept of “easy going” and there are people in Sweden who fall through the social safety net and can’t get their prescriptions filled at the pharmacy. So much for the Scandinavian image of social democracy utopia.
Even though we’re at the halfway point of the 2022 Seattle International Film Festival, there’s still plenty of time to soak up an array of movies leading into the final weekend. Films continue to play all around town as well as online through the SIFF channel. Below, we scrutinized the remaining program and came up with a few movies each that we either recommend or can’t wait to see for ourselves.
“Y.”, the Israeli filmmaker at the center of Nadav Lapid’s semi-autobiographical tale of overboiling frustrations has a lot on his mind. He’s in the the early stages of conceiving a new film about a Palestinian activist that takes inspiration in reaction to an incendiary tweet. His mother, who’s also happens to be his frequent collaborator and screenwriter who also happens to be his mother is gravely ill; and paid appearance in a tiny remote village to show his previous work for the Ministry of Culture has taken him away from both of these more pressing concerns.
One of the most buzzed-about movies at the Seattle International Film Festival this year is unquestionably the world premiere of I’ll Show You Mine, the newest film from one of Seattle’s very best filmmakers, Megan Griffiths.
It’s here! SIFF returns to in-person (and online) format this year beginning on Thursday night with a screening of Navalny at the Paramount followed by a gala in the street (like audiences and juries, the vital and thrilling documentary wowed us at Sundance; it’s a home run for a SIFF opener). By now, we’re all used to outdoor dining; so the springlike weather with its cool temperatures and ever-present threat of showers shouldn’t pose too much of an imposition. This is a city that knows well the virtues of layering so a little weather shouldn’t dampen the mood of a crowd eager to celebrate the return of its signature film festival.
Below, we each highlight a few films to look forward to in the opening days of the festival as it kicks into full gear on Friday.
Starting today, tickets and passes are now available to the public for the 48th Seattle International Film Festival. Running from April 14-24th, the eleven-day festival features hundreds of films playing in-person in venues across the city, with more than half of the selections also available online. We’re still soaking up the trailers, digesting the full lineup, and strategizing the best ways to get the most out of this year’s event, but we thought we’d start by each highlighting a film (or two) from the program that we’re most excited to see or recommend.
At long last, a sense of “semi-normalcy” for Seattle and Springtime. After last year’s fully-virtual festivities, the 48th Seattle International Film Festival is upon us, restoring to our fair city an excuse to venture back out into theaters (or to watch from our homes) for eleven straight days and nights. Yes, this April 14-24th sprint is somewhat slimmer than the monthlong marathons of yore, but honestly, it feels a little bit healthier for all parties.
SXSW ended a week ago, but Jenn’s been brewing up this coverage of the virtual offerings from the festival’s iconic horror/WTF section and just finished it up…better late than never, right? Right??
Omoiyari is a Japanese word that means to have sympathy and compassion towards another person. This is not only the title of Japanese-American musician Kaoru Ishibashi’s (known professionally as Kishi Bashi) film, but the very soul and purpose of it. We travel with Ishibashi around the United States as he embarks on a path of discovery both of his roots and the two worlds he’s torn between: culture and country. Those two aspects are not in opposition, but his entire life he’s kept them separate and at times hidden; now he’s finding a way to bring them together.
Destroyed as a child through the violent fits, paranoia and hallucinations of a mother unable to care of herself or her family Will does everything in his power to forget and move forward with a normal life. He’s managed to find a loving partner, a decent career (even if he is bullied by an overprivileged white woman with no talent other than berating her employees) and a calm happy life. Things start to go sideways when his mother makes contact, first through odd boxes of cult-related reading materials followed by unwelcome and traumatizing visits. Soon his life is thrown into chaos and we start to wonder if it’s his mind playing tricks on him or has the world gone completely mad?
