A Seattle moviegoing lifestyle magazine
Set in contemporary London we meet Pansy, a middle-aged black woman just trying to move forward in an increasingly stressful world. As we follow her accomplishing every day mundane tasks she seems to be set off by the most innocuous things from being bumped into walking down the street, to a cashier at the grocery rubbing her the wrong way. Her stress becomes our stress and it’s hard to understand just where all the hostility comes from.
As the year winds to a close, we’re sharing lists of our favorite films we’ve seen (so far).
Cat is languidly living in an urban wilderness. Surrounded by worn-down buildings and lush greenery, you sense both the familiar and the unknown. Without any warning he is faced with quickly rising water; he moves farther and farther up surrounding buildings and to the top of a sculpture identical to our small protagonist. Nothing but water as far as the eye can see, he’s unsure of where to go.
A quarter century after Eyes Wide Shut, Halina Reijn puts Nicole Kidman again in a position to serve up a prickly and fun exploration of the dynamics of control, desire, and submission (also at Christmastime).
A Hungarian-Jewish man, László Toth (Adrien Brody), was separated from his wife and niece during WWII and sent to an internment camp. He somehow manages to survive and escapes to America.
Based closely on the events of Bob Dylan’s life, A Complete Unknown follows the man himself from stepping fresh-faced into NYC to the height of his popularity as he alienates almost everyone who cares about him. We’re introduced to a young Dylan(Timotheé Chalamet) freshly arrived in New York City by way of Minnesota.
Nosferatu (2024 | USA, UK, Hungary | 133m | Robert Eggers) Writer/director Robert Eggers represents a genuine rarity in modern cinema—an idiosyncratic auteur who’s …
Seattle Film Critics Society has been hard at work bringing attention to Pacific Northwest filmmakers and productions over the last several years. …
Thought if anyone could make the smack-addled writings of William S Burrows romantic it would have to be Luca Guadagnino, but alas.
Moana 2 feels like a natural extension to the first. Better yet, the the storyline is even more focused on Moana because Maui is tied up again (literally and figuratively) in a trap keeping him from seeing his precious humans for the first half-ish of the film. While I love his personality, the charm and comedic timing he adds to the narrative, he should (and is) a supporting role to help our lead find her way.
