Ella McCay (Emma Mackey), from the time she had a voice of her own, stood up for the people who wouldn’t or couldn’t stand up for themselves. She’s had a fire inside that pushed her, unfortunately, to become a civil servant, but she seemed to love it… most of the time. Add a husband that had potential but made the decision to walk the other way, a boss who cared more about himself than his constituents or staff, and a father that shouldn’t have become a father. Every man in her life proved over and over that she couldn’t depend on anyone to help her so she just had to help herself.

It’s the eternal question (pardon the pun), but what happens when we die? Nothing? The best things? The most mundane things? Well, Eternity offers on a more romantic take with every day being your best day ever, but the rub is you have to choose what that means the moment you arrive in the afterlife and no take backs. For Larry Cutler, it’ll always be with Joan but she may have other plans.

A middle-aged man loses his wife unexpectedly and so quickly that it leaves a gaping hole in his chest that can’t be quelled. He’s nearly paralyzed by grief, but he has two young boys to care for. Instead of dealing with the emotional fallout, he bottles it up inside until it swallows him whole. The manifestation of his pain comes in the form of a crow, starting as a normal bird, but with time becomes twisted, grotesque and incessant.