Reviews

By being “good,” Old is M. Night Shyamalan’s best movie in twenty years

It almost appears hyperbolic to say Old is M. Night Shyamalan’s best film in decades, but he’s produced more shit over the past twenty years than what can be safely extracted through Jair Bolsonaro’s nose. It’s been a wild fall from grace where the director was telling magazine writers after the success of his breakthrough The Sixth Sense that he figured out the formula for making hit movies, and then he basically turned into Max Bialystock after his follow-up Unbreakable (his best movie, IMO). After a series of box office bombs, people began booing when his name was shown in trailers.

That’s not to say that Old isn’t ridiculous. It very much is. It’s camp, but it leans into it. 

Reviews

Here After is a single-shaming, frustrating take on love

An attractive forty-something, semi-successful actor from New York, Michael (Andy Karl), dies single. He’s told by a magical CEO (Christina Ricci) in a high rise in the sky that he has to find his soulmate to ascend and there’s a ticking clock to find them before he literally ceases to exist. So… eternity with a partner or you literally disappear never to be heard from again; useless and unloved.

Reviews

Morgan Neville celebrates the complicated life of Anthony Bourdain in Roadrunner

With Roadrunner, kind-hearted documentarian Morgan Neville virtually reunites many of Bourdain’s dearest friends and collaborators to contemplate his life and legacy while working through their still-raw grief on film. Whether the documentary’s subject would have approved of the project (probably not) is perhaps beside the point.