A Seattle moviegoing lifestyle magazine
How hard can it really be to write the script for a big budget action movie? The dialogue doesn’t have to be good and the real magic happens when shit blows up or there’s fighting. It might not be something any idiot could do, but if you got two idiots together, you just might have something.
The best local Seattle film production of 2021 has arrived.
Jason Statham’s character in Guy Ritchie’s new movie Wrath of Man gets the nickname ‘H,’ presumably because anything longer would be a waste of the man-of-few-words’s time.
Ben Sharrock’s delicate and sensitive sophomore effort looks for beauty under tough circumstances.
Released previously in 2015, Seattle filmmaker John Helde is bringing his film Phoebe’s Father back to the Northwest Film Forum to play in its virtual cinema and then become available on streaming formats. This is all good news because Phoebe’s Father is a hidden gem of a movie that affected me deeply.
Having previously transformed Jim from The Office into a globe-trotting action hero, Amazon Studios has now turned their attention to a much easier lift: expanding their Clancyverse to include Michael B. Jordan as a score-settling former Navy SEAL John Clark.
Film adaptations of video games remain a fraught landscape. I’ve come to approach their arrival with a high degree of skepticism given how frequently the screen adaptations can lose sight of the fun by taking themselves too seriously. It is a joy to report that my doubts largely melted away in the face of the newest Mortal Kombat’s absurdity and commitment to having a lot of fun with the story.
My love for comedies has no bounds. Typically I watch films to escape, and I realize that seems pretty limiting considering all the documentaries, dramas and thrillers out there but comedies will forever be my first love. Over the last year as I binge watched like I’ve never binged before, I started to realize Netflix originals, new releases and even HBO are all full of dramas and downers, murders and destruction, depression and angst. I welcome any and all stories, but during a pandemic I don’t find comfort in reality or looking down the barrel of our dismal ecological future. Can a girl just laugh? Damn. The three movies I’m going to talk about below may have had a little strife here and there but they were just fun and heartfelt, exactly what I needed right now.
We’ve had a very busy eleven days covering this year’s first-ever virtual Seattle International Film Festival with roundtables and reviews of the bounty of cinema brought to our homes by technology and the tireless programmers and organizers. On Sunday night SIFF handed out awards and closed the festival with Catalan dramedy Rosa’s Wedding. Since then, the SunBreak’s SIFF Squad virtually assembled to chat about our experience with this year’s event and to rehash some of our festival favorites.
Official Competition films There is No Evil and Under the Open Sky had found a perpetual spot on my “watch later” queue, but when I saw that they secured top spots among the audience awards, I knew that I had to use the waning hours of SIFF Privilege to make them my Closing Night double feature (with apologies to Rosa’s Wedding).
