As a young immigrant family the Lumens moved to the big city of Elemental. They were awed by this new place where fire, water, land and air all live together harmoniously… or so they thought. They quickly found it less than welcoming for fire elementals with the city seemingly built to accommodate water more than others, so they found a little neighborhood with other fires and settled there to open a local shop. Time flew by as their daughter Ember grew and it was a given, both in their actions and words, that she’d take over the family business when it came time. One day, an unexpected visitor brought along with him a crisis that threatened to shut down their mom and pop store, so Ember was hellbent on fixing it. In the process she found an unexpected friend in Wade, a water elemental, and discovered the big city was much more than it seemed.
Past Lives is a timeless romance that yearns across decades and oceans
The Past Lives hype that immediately saturated Sundance Twitter following its premiere in Park City was not fucking around. Since then it wowed SIFF audiences as the opening night feature and is now opening around the country, including here in Seattle.
Midday Black Midnight Blue chronicles one man’s journey into madness
Depression can be a black hole of emotions; a never-ending pit that is nearly impossible to claw your way out and Midday Black Midnight Blue is fully encompassed by that black hole from beginning to end. Ian, a man well into mid-life, is haunted by the joy and pain of an old flame.
The Flash messes with multiverses
The main question you have to ask yourself when deciding if you’re going see this movie is “Does seeing Michael Keaton put on the ol’ Batsuit and once again speak aloud an ad-libbed catchphrase justify spending more than two hours with multiple versions of Ezra Miller and some pretty substandard CGI?”
Transformers: Rise of the Beasts is exactly what meets the eye
Hasbro’s robots in disguise get a competent reboot in the latest iteration.
Spider-Man Takes an Unmissable Journey Across the Spider-Verse
There’s a point (two, actually) to this rather involved setup: One, make a good enough movie and superhero burnout becomes irrelevant; and Two, Into the Spider-Verse’s brand-new follow-up, Spider-Man: Across the Spider-Verse, sustains its predecessor’s hat trick and then some. Simply put, I can’t imagine a better, more thoroughly satisfying mainstream movie emerging this year.
The Boogeyman: Scaring Up Another Stephen King Adaptation
The Boogeyman (2023 | USA | 98 minutes | Rob Savage) My introduction to Stephen King’s writing happened in junior high, when I …
You Hurt My Feelings and the dangers of big little lies
Across three decades of directing and screenwriting Nicole Holofcener has long established herself as being incredibly good at making movies about grown ups with small problems that can also feel as big as the whole world.
SIFF 2023 Roundtable: Exit Survey, Golden SunBreak Awards
SIFF was back in-person with paper ballots and back to their traditional May stomping grounds. Might the 10-day festival be the new …
SIFF 2023: artistic biopics Dreamin’ Wild & Ingeborg Bachmann – Journey into the Desert
Dreamin’ Wild (2022 | USA | 110 min. | Bill Pohlad) Like Bill Pohlad’s Brian Wilson biopic, Love & Mercy, his retelling of what happened when …