Reviews

Gotham City is in Bad Decline in The Batman

With his take on Batman, Robert Pattinson is much darker in the role than we’ve previously seen. If you thought Christian Bale’s performance as Bruce Wayne/Batman was too silly in Christopher Nolan’s Dark Knight trilogy, I have just the movie for you. With the possible exception of Joaquin Phoenix’s Joker movie, this is the darkest Batman or Batman-adjacent movie I’ve seen.

Reviews Roundtables

Roundtable: Best of February 2022

If you’re not already caught up on “awards fare”, the first couple months of the new year can be a prestige buffet. But it can also feel like a dumping ground before the “real” spring season of “actually good” movies picks up. Although it can be a wasteland, surely there are some gems to be found? So as we bid farewell to Dumpuary  … a SunBreak Survey: what’s the best thing you saw in the last month?

Reviews Uncategorized

Foo Fighters Go to Hell (sort of) in Studio 666

In an era where artists like Lady Gaga and Justin Timberlake engineer their crossover film success with algebraic levels of calculation, there’s something almost endearing about a big rock band farting out a schlocky horror comedy as their first fictional feature. So the scrappy contrarian in me was rooting hard for Studio 666, the debut narrative showcase for arena-alternative rock band Foo Fighters. 

Cyrano A Metro Goldwyn Mayer Pictures film Photo credit: Peter Mountain © 2021
Reviews

Cyrano should be better, but the attempt is beautiful

Whether you’ve seen Edmond Rostand’s original Cyrano de Bergerac on the boards or not, it’s been told, retold again and again more ways than I’m sure Rostand would ever have imagined. Cyrano’s long-time friend and beloved Roxanne falls instantly in love with Christian, a new soldier in the army, in which Cyrano (Peter Dinklage) is highly regarded and ranked. Roxanne (Haley Bennett) asks her old friend if he will watch over Christian (Kelvin Harrison Jr.) and encourage him to romance her through letters.

Reviews

Blacklight is really dumb, but Liam Neeson doesn’t need, or want, your pity

Liam Neeson is Travis Block, a special fixer for the FBI that serves at the pleasure of its director, Aidan Quinn. Block’s specialty is getting undercover agents out of tricky situations when their cover is blown. It involves kicking lots of villain ass without breaking much of a sweat. He’s like the Wolf from Pulp Fiction in the body of a middle manager. Most of the time, Neeson looks lost or confused or not really sure why he’s here. Same, my dude, same.