A Seattle moviegoing lifestyle magazine
Two esteemed international directors brought stories of hunger and horror to the Telluride Film Festival in the form of a World Premiere for Sebastián Lelio’s gothic mystery The Wonder and a US premiere for Luca Guadagnino’s cannibal love story Bones and All
The nineteen eighties were in the air at Telluride, with new films from Sam Mendes and James Gray revisiting a tumultuous year of personal histories in England and New York, respectively.
The opening day of Telluride saw premieres of Sarah Polley’s Women Talking, Bryan Fogel’s sequel to Icarus, and Kore-eda’s Broker.
In this dispatch from the Telluride Film Festival, Andrea Arnold on a farm, Celiné Sciamma in the woods, and Paul Schrader at the poker table.
A dispatch from Saturday at Telluride featuring films from three master directors, each of whose primary action is catalyzed by a challenging marriage.
The Telluride film festival returned yesterday, and aside from uploading proof of vaccination, providing a recent negative Covid-19 test result, and wearing masks inside, the biggest difference from recent years was that it started a day early (yay, more film!) and was marked by a series of drizzles and downpours. Every store in town was out of umbrellas and covered outdoor seating was at a premium.
