A Seattle moviegoing lifestyle magazine
Saturday brought another tribute, this time to the legendary Cate Blanchett to coincide with the US premiere of Todd Field’s TÁR. We spend two hours and forty masterfully controlled minutes with the prodigious, highly-lauded, multiply-degreed conductor Lydia Tár.
Three stories of loss and longing on the last days of the Telluride Film Festival: Aftersun, Close, and One Fine Morning
Two esteemed international directors brought stories of hunger and horror to the Telluride Film Festival in the form of a World Premiere for Sebastián Lelio’s gothic mystery The Wonder and a US premiere for Luca Guadagnino’s cannibal love story Bones and All
The nineteen eighties were in the air at Telluride, with new films from Sam Mendes and James Gray revisiting a tumultuous year of personal histories in England and New York, respectively.
The opening day of Telluride saw premieres of Sarah Polley’s Women Talking, Bryan Fogel’s sequel to Icarus, and Kore-eda’s Broker.
In this dispatch from the Telluride Film Festival, Andrea Arnold on a farm, Celiné Sciamma in the woods, and Paul Schrader at the poker table.
A dispatch from Saturday at Telluride featuring films from three master directors, each of whose primary action is catalyzed by a challenging marriage.
The Telluride film festival returned yesterday, and aside from uploading proof of vaccination, providing a recent negative Covid-19 test result, and wearing masks inside, the biggest difference from recent years was that it started a day early (yay, more film!) and was marked by a series of drizzles and downpours. Every store in town was out of umbrellas and covered outdoor seating was at a premium.
