A Seattle moviegoing lifestyle magazine
Laura Poitras’s All the Beauty and the Bloodshed links the life and art of photographer Nan Goldin to her present-day activism surrounding the opioid epidemic; Brett Morgen contemplates David Bowie as philosopher king in IMAX proportions with Moonage Daydream.
Brief reviews of films that made their debuts at the Toronto international film festival: Bros and My Policeman
Brief reviews of three films that made their debuts at the Toronto international film festival: TIFF 2022: More Quick Dispatches from Toronto The Eternal Daughter, My Policeman, and The Good Nurse.
Quick reviews of Butcher’s Crossing, The Woman King, and Sidney.
Clearly, a big mood for mid-pandemic entertainment is the foibles of the insufferably privileged on holiday. Here, it will prove to be ghastly weekend for Ralph Fiennes and Jessica Chastain in Morocco where a drive to a housewarming takes a tragic turn.
Presented as part of TIFF’s tribute to Jessica Chastain, The Eyes of Tammy Faye is a surprisingly loving portrait that tells her often outlandish story without making a complete joke of her sincere faith and boundless love.
Brief reviews from the Toronto International Film Festival of new films about young Europeans navigating identity. Joachim Trier’s The Worst Person in the World and Laurent Cantet’s, Arthur Rambo.
You might say Dennis Villeneuve’s adaptation of Frank Herbert’s novel plays like ponderous messianic nonsense and write an obituary for blockbusters when you stream this on HBOmax, but you haven’t really lived until you’ve watched Timothée Chalamet projected 100 ft tall, popping his head out of a sand dune like a floppy-haired prairie dog. Sure, Dune has it’s premiere-premiere in Venice last week (and seems to have screened for select critics elsewhere), but they granted Toronto the honors of hosting the film’s international IMAX premiere.
Is there anything more unpleasant than being stuck with another squabbling family’s seething Thanksgiving drama? The Humans, Stephen Karam’s film adaptation of his Tony Award-winning answers: Being stuck with it in a cramped old Chinatown apartment with no furniture, a bunch of secrets, thin walls and shoddy wiring!
The Toronto International Film Festival kicked off this weekend in hybrid form. Among the splashier in-person screenings was the long-awaited premiere of Edgar Wright’s Last Night in Soho.
