We were thrilled to see that the Orcas Island Film Festival was planning a big return for 2022 after a slightly-subdued 2021. Since then, they’ve released their full lineup — a jaw-dropping collection of some of the top prize-winners and most buzzworthy titles from many of the year’s most prestigious festivals. Along with potentially Oscar-bound international films and heart-stirring documentaries, the re-expanded program will pose scheduling conundrums for attendees trying to decide how to best plan a weekend of seeing some of the year’s best films well in advance of their neighbors. For lovers of first-look films, it’s among the best kinds of problem to have!
Month: September 2022
Silent Twins reveals a painful story of co-dependence and psychosis
Twins with such a tight relationship from birth they spoke their own language… that is, when they spoke at all. After making a pact at around age 6, June (Letitia Wright) and Jennifer (Tamara Lawrence) Gibbons remained silent for years. Much later they admitted it was meant as a fun prank in the beginning but after a while, it just became a part of life. They forgot how to socialize with anyone outside of each other so in their silence they created an entire world where the two of them could experience reality on their own terms.
TIFF 2022: the nice guys of The Banshees of Inisherin, EO, The Greatest Beer Run Ever
Nothing wrong with a little kindness. Melancholy humor of a severed friendship from Martin McDonagh, an itinerant donkey in EO, and a true story given the Farrelly treatment.
Expect a Pearl among Horror Prequels from the Follow-up to X
Pearl, the prequel to writer/director Ti West’s well-received shocker X, takes a character’s origin story—the kind usually dispensed as an afterthought in a couple of sentences of exposition or two minutes of black-and-white flashback footage—and turns it into an audacious, grandly operatic standalone experience.
TIFF 2022: Glass Onion and Triangle of Sadness eat the rich.
The follies of the wealthy are on full display in two comedy premieres in Toronto. Rian Johnson returns to the Knives Out saga with Glass Onion’s debut and Ruben Östlund’s Palme d’Or winner Triangle of Sadness made landfall on North American shores during TIFF 2022.
TIFF 2022: Documenting creativity and social movements of singular figures with All the Beauty and the Bloodshed and Moonage Daydream
Laura Poitras’s All the Beauty and the Bloodshed links the life and art of photographer Nan Goldin to her present-day activism surrounding the opioid epidemic; Brett Morgen contemplates David Bowie as philosopher king in IMAX proportions with Moonage Daydream.
Kevin Smith brings together his Extended Cinematic Universe for Clerks III
Some twenty-eight years later, Kevin Smith has brought the characters of Randal and Dante back for a third movie. They now own the convenience store but look mostly the same. They still play hockey on the roof and still have signs up assuring you they’re open and asking to be alerted if you plan on shoplifting. Jay and Silent Bob are still hanging out in front of the video store (they run) but now they sell weed from it, with only slightly more legitimacy. The movie is, like a bag of Cheetos or a can of Red Bull or a lukewarm flauta, empty calories, unnecessary but completely comforting.
TIFF 2022: Bros and My Policeman take contrasting approaches to gay love stories
Brief reviews of films that made their debuts at the Toronto international film festival: Bros and My Policeman
See How They Run Fell Achingly Short of a Hit
A play within a film within a story within a farce, this whodunnit is a maze of silliness and murder. Set in London’s West End in the 50’s, Agatha Christie’s Mousetrap has just hit its 100th stage performance and a film deal is solidly in the works. It’s these actors, writers, directors and film folks that attend the post-performance party in appreciation for the milestone. Narrated in the words of the future film director Leo Köpernick (Adrien Brody) who is most hated by all guests in attendance and who also happens to be the victim, the scene is set for a murder most foul. Soon Inspector Stoppard (Sam Rockwell) and rookie Constable Stalker (Saoirse Ronan) are on the case and their investigation goes sideways, upside down, and backwards with bouts of insanity, slapstick, and confusing murder mystery shenanigans. In the end, we find ourselves at the Christie residence a la Clue as all are gathered to reveal the identity of the murderer.
TIFF 2022: The cinema of dedication with The Eternal Daughter and The Good Nurse
Brief reviews of three films that made their debuts at the Toronto international film festival: TIFF 2022: More Quick Dispatches from Toronto The Eternal Daughter, My Policeman, and The Good Nurse.