This morning, across their social media channels, The Seattle Film Critics Society (counting a couple The SunBreak contributors among its membership) announced winners for the 2024 SFCS Awards, honoring the year’s best in film. At the top of the nominations heap: a pleasantly surprising win for Coralie Fargeat’s satirical body horror sensation The Substance. Sean Baker’s sex-worker cinderella to cross-country chaos comedy Anora took home the most awards; Dementus from Furiosa was crowned the Villain of the Year; and on the local front Rainier: A Beer Odyssey was named the best Pacific Northwest Finally, film and local programmers/directors/filmmakers/champions of short filmmaking here and afar, Megan Leonard and Carlos A.F. Lopez, were honored with a well-deserved Special Citation for their tireless efforts.
Year: 2024
SFCS puts a spotlight on PNW films this weekend
Seattle Film Critics Society has been hard at work bringing attention to Pacific Northwest filmmakers and productions over the last several years. …
Seattle Film Critics Society announce 2024 nominees
This morning, across their social media channels, The Seattle Film Critics Society (counting a couple The SunBreak contributors among its membership) announced nominations for the 2024 SFCS Awards, honoring the year’s best in film. At the top of the nominations heap: Brady Corbet’s VistaVision festival stunner The Brutalist (releasing later this month) and two desert-set blockbusters Denis Villeneuve’s sci-fi sequel Dune: Part Two and George Miller’s post-apocalyptic prequel
The winners will be announced on December 16th.
Daniel Craig delves into a jungle of addiction and desire in Luca Guadagnino’s Queer
Thought if anyone could make the smack-addled writings of William S Burrows romantic it would have to be Luca Guadagnino, but alas.
In Moana 2 Disney does right by their strongest “princess”
Moana 2 feels like a natural extension to the first. Better yet, the the storyline is even more focused on Moana because Maui is tied up again (literally and figuratively) in a trap keeping him from seeing his precious humans for the first half-ish of the film. While I love his personality, the charm and comedic timing he adds to the narrative, he should (and is) a supporting role to help our lead find her way.
The slow burning intesity and heartbreak of Maria swallows you whole
Maria Callas, a world-renowned opera singer, had an incredible and enduring effect on anyone who witnessed her power and talent. She was also a force to be reckoned with off stage with very little patience for the inane.
Seattle filmmaker Vee Hua is hoping to turn their short film Reckless Spirits into a feature, and needs your help
Tuesday night, me and a bunch of cooler, hipper people, packed into the Northwest Film Forum for the launch party of a fundraising campaign for Reckless Spirits, a very funny short film from 2022 that the filmmakers hope to turn into a feature film in the future. Directed by former NWFF executive director Vee Hua 華婷婷, the film is billed as “A gender-fluid Latine performance artist and a neurotic Asian American therapist are led by a series of uncanny circumstances into a world of chakras, spirits, and a fanatic cult leader.”
Wicked is determined to be the crowd-pleasingest musical in the Emerald City, and beyond
It’s taken a long time, maybe twenty years, to get an adaptation of the popular novel by Gregory Maguire and more popular musical Wicked into theaters, and after seeing the film over the past weekend, it appears to be well worth the wait.
Are you not entertained by Gladiator II? It depends
Gladiator II (2024 | USA/United Kingdom | 148 minutes | Ridley Scott) Director Ridley Scott’s Gladiator became a stealth box-office smash back in …
With a quartet of flashy performances and musical numbers Emilia Pérez makes its splash on Netflix
To its enormous credit and occasional detriment, Jacques Audiard’s improbable musical is as mercurial as its title drug kingpin-to-society queen would-be heroine. With something new every few minutes the boldly ambitious film succeeds in never being boring while it has an enormous amount to say (sing).