Death of a Unicorn (2025 | USA | 104 minutes | Alex Scharfman) Make no mistake: Like the mythical beast name-dropped in …
Author: Tony Kay
Does Wolf Man deliver enough bite for modern audiences?
Wolf Man (2024 | USA | 103 minutes | Leigh Whannell) When director Leigh Whannell was tapped by Universal Pictures a few …
Nosferatu takes Robert Eggers Back to the Gothic Well
Nosferatu (2024 | USA, UK, Hungary | 133m | Robert Eggers) Writer/director Robert Eggers represents a genuine rarity in modern cinema—an idiosyncratic auteur who’s …
Are you not entertained by Gladiator II? It depends
Gladiator II (2024 | USA/United Kingdom | 148 minutes | Ridley Scott) Director Ridley Scott’s Gladiator became a stealth box-office smash back in …
Smile 2 serves up a Popstar Horror Picture Show
Smile 2 (2024 | USA | 127 minutes | Parker Finn) On a superficial level, Smile 2, writer/director Parker Finn’s sequel to …
A Legendary Italian Composer Lends Live Backup to a Horror Classic
Italian horror cinema from the ‘70s and ‘80s has amassed a fervent cult over the last four decades, and one of the …
Maxxxine Serves up Girl Power Marinated in Gore and Grime
Maxxxine (2024 | USA | 104 minutes | Ti West) Maxxxine may be set in a Reagan-era Los Angeles that’s been buffed …
Slasher Tropes Get Deconstructed, In a Violent Nature
In a Violent Nature (2024 | Canada | 93 minutes | Chris Nash) Any filmmaker who takes on the tropes of horror cinema with …
SIFF 2024 Notebook: The Primevals
The Primevals (2023 | USA | 90 minutes | David Allen) It sounds strange with hindsight, but there was a time when …
SIFF 2024 Notebook: I Saw the TV Glow, Dragon Superman, and Oddity
I Saw the TV Glow (2024 | USA | 100 minutes | Jane Schoenbrun) Jane Schoenbrun’s mesmerizing follow-up to We’re All Going …