A Seattle moviegoing lifestyle magazine
Who could have possibly guessed that the squirmiest elements of watching a meek all-grown-up Dudley Dursley (Harry Melling) inadvertently stumble his way into a submissive arrangement with a godlike motorcycle dom played by Alexander Skarsgård would be the amount of holiday barbershop quartet singing?
It’s been quite a year for films about fathers reckoning with the consequences of having prioritizing careers over family or making art as a balm for old wounds, none yet have come close to holding a candle to the carefully-crafted emotional effectiveness of Joachim Trier’s spectacular Sentimental Value.
Notes from Saturday at Telluride where the festival saw the world premiere of Hamnet and North American premieres of Bugonia and Pillion.
Who was it that said :all unhappy rock stars are alike, no happy rock star has ever truly existed in the history of this earth?” Probably the same esteemed writer who famously pondered “War, what is it good for?”
Notes from Monday at Telluride where the festival played host to North American premieres for Cover Up and Sentimental Value.
Notes from Saturday at Telluride where the festival saw the US Premieres of Jay Kelly, the Mastermind, and Frankenstein.
Notes from Saturday at Telluride where the festival saw the world premiere of Hamnet and North American premieres of Bugonia and Pillion.
Notes from Friday at Telluride where the festival had world premieres of Springsteen: Deliver Me From Nowhere and the Ballad of a Small Player.
Telluride announces the lineup for the 52nd Show.
Sean Baker launches a rocketship of delirious romance that can’t possibly last when a private dancer lands the ultimate girlfriend experience with a fun young Russian oligrarch’s heir.
