Swallow (2019 | USA | 95 minutes | Carlo Mirabella-Davis) When Richie Conrad met his wife, Hunter, she was perfect for a …
Flamenco Syndrome invites you into the intimate flamenco scene in Spain
Flamenco Syndrome (Sindrome de Flamenco) (2019 | USA and Spain | 62 minutes | Bijoyini Chatterjee) Flamenco Syndrome explores the passion that …
On Screen: The Way Back, Wendy, Onward
Yikes! It’s a city is under siege by coronavirus; so be careful out there. Note that out of an abundance of caution, …
TSB interview: A Typical Fairytale director/star/producer Annette Reilly talks to us about her beautiful, new, short film
My favorite movie to play at the Seattle Children’s Film Festival so far has been the short film A Typical Fairytale. It’s …
The Banker shines in a dark time of redlining
In 1960’s America it was regular practice to ignore or purposely shut out African Americans (and all minorities) from living in certain areas of America, much less owning property in them. Based on a true story The Banker follows two such black men using the system to their advantage when they had no other option…
The Traitor is a welcome addition to the family of epic mafia movies
The Traitor (Il Traditore) (2019 | Italy | 150 minutes | Marco Bellochio) The new film from Italian filmmaker Marco Bellochio concerns …
Greed is bad, but Greed is pretty good
Greed (2019 | UK | 104 minutes | Michael Winterbottom) When your name is Richard McCreadie, and your net worth is somewhere …
Emma. is an adaptation as handsome and clever as its heroine.
Emma. (2020 | USA | 124 minutes | Autumn de Wilde) Into each generation comes a film adaptation of Emma, Jane Austen’s …
On Screen: Nordic Lights, Children’s Film, John Sayles
It seems that we’re emerging out of the “Dumpruary” season for mainstream releases, in which studios toss the duds of their development …
Elisabeth Moss shines in The Invisible Man
The Invisible Man (2020 | USA | 124 min | Leigh Whannell) From the outset, you know that Cecilia (Elisabeth Moss) is …